Victor Pendlebury - A Romantic Soul

In 1983, when Mavis Riley (Thelma Barlow) and Victor Pendlebury (Christopher Coll) set out for the Lake District, everything seemed set fair, despite one or two misgivings from Mavis.

Upon return, their views of what had passed were so different. Victor, a true romantic, deemed it a great success; Mavis, a true romantic but only when surrounded by her creature comforts, deemed it a failure.

But what about the owl, THEIR owl, looking down on them one night, Victor asked. Hadn't Mavis felt that the owl wanted them to be together?

"It was raining!" was all Mavis could say.

Sad.


Christopher Coll played Victor Pendlebury, dubbed "The Saddleworth Sage" by Rita Fairclough, in the 1980s.

We Love Victor Pendlebury

Victor Pendlebury (Christopher Coll) romances Mavis Riley (Thelma Barlow).

"Wally" was a wildly popular insult of the early to mid 1980s (there was even a book called "How To Be A Wally"), and here we find Victor Pendlebury and Derek Wilton (Peter Baldwin) being accurately described in a newspaper cartoon.

I can't help feeling I'm having my leg pulled here, but since I wrote my recent blog post on Victor Pendlebury, I've received no less than twelve e-mails ranting about the glories of The Saddleworth Sage. One even suggests that I rename this blog "The Victor Pendlebury Appreciation Society".

Well, ladies and gentleman, let's not forget that the highly conventional Town Hall planning officer that was the real Victor actually baulked at introducing his neighbours to the concept of his wildly bohemian trial marriage, and planned to pass Mavis off as "Mrs Pendlebury".

He wasn't that daring!

But still he excites interest.

Just imagine what might have happened if he had married Mavis! says Joan P.

He was a Heathcliffe to Mavis's Cathy, says "EastEnders Disliker".

He was a man amongst Mavis, says my wife.

Actually, he was rather a good character, says I.

Sadly, Victor, introduced in November 1982, never made it past minor intermittent character status, but judging by e-mails received here and viewers' reactions in the 1980s and early 1990s, the character made some impact. And just what might Mavis have been doing now if she had chosen differently?

Victor Pendlebury And Stan Ogden - Brothers Under The Skin?

They loved to go a-wandering... Victor Pendlebury (Christopher Coll) sets out with Mavis Riley (Thelma Barlow)...

Victor was a man of words. A man of action. A man of nature. A man of pottery. A man of... ooh, all sorts of things!

He was a breath of fresh air when he blew into Mavis' life in 1982... so different from dithering Derek Wilton.

Victor's attitude was so unconventional. So poetic. So literary. So craft-loving. So Stan Ogden.

So Stan Ogden?!!! you cry.

Why yes, I reply - at least according to "The Oggies" in 1983...

Sunday People, June 12, 1983:

Victor Pendlebury, rapidly rising rival to Stan Ogden as the male chauvinist pig of Coronation Street, must not be allowed to leave the show.

None other than the Oggies - the Stan Ogden Appreciation Society - say so.

They reckon Victor could become "the thinking man's big O" and have asked the producers to let him stay.

Leader Barry Trelawney said: "His disgraceful treatment of Mavis is superb - we knew he was a kindred spirit when he asked her to live with him at weekends only. He reminds us of Stan in his prime when he gave Hilda a dog's life. And when he demolished a bottle of sherry solo we knew he had Stan's hollow legs, too."

A Street spokesman sent a message of hope:

"Victor is slinking off alone - but we're sure we haven't seen the last of him."

My wife was very fond of Victor.

But then she has excellent taste in men!

1984: The Complicated Love Life Of Miss Mavis Riley...

Rivalry at The Rovers and consternation at The Kabin in 1984... Victor Pendlebury (Christopher Coll), Derek Wilton (Peter Baldwin), Mavis Riley (Thelma Barlow) and Rita Fairclough (Barbara Knox).

1984 always sounds ominous to me - also being the title of George Orwell's famous novel. Did you know that Mr Orwell took several years to write the book back in the 1940s, and that it was originally to be set in 1980, and then in 1982?

The real 1984 didn't see the arrival of Big Brother - I think that today is far more like that, with the various databases (established and planned) and security cameras logging our every move - but it did see the arrival of the Apple Mac - complete with affordable computer mouse. A revolution was beginning...

The UK edition of Trivial Pursuit arrived and we went trivia bonkers. Sir Alec Jeffreys accidentally discovered DNA fingerprinting, at the University Of Leicester, England (More here). The miners fought a bitter, losing battle; Frankie Goes To Hollywood shocked the charts; the yuppie era was drawing in; V was on the telly and Do They Know It's Christmas? hit the No 1 spot. Agadoo was another chart favourite. Push pineapple, grind coffee? Hmm...

In the world of fashion, shoulder pads were getting bigger and bigger, people were streaking their hair blonde and using hair gel to very striking (or ugly, depending on your viewpoint) effect and moon boots were a must-have, as were Frankie Say T-shirts.

And, in Weatherfield, one woman agonised over the attentions of two very different men...

The love life complications of Miss Mavis Riley, reported in the News Of The World, September 16, 1984.

Having met meek-and-mild mother's boy Derek Wilton way back in 1976, Mavis Riley had developed a very diffident, on-off relationship with him. Well, when I say "relationship", I don't mean that anything improper took place, goodness me, no!

But it was more of a (kind of) romance than just a friendship.

And the Derek and Mavis "romance" flickered on, and off, until 1982. Towards the end of that year, Mavis met one Victor Pendlebury at an evening class, and together they penned a story which was broadcast on local radio. Of course, Mavis was nerve-stricken on the day - was the story too... earthy? she wondered. But, apart from one or two adverse comments, the local branch of civilised society did not collapse in a heap.

And then, in 1983, Victor, every inch the poetic wanderer of moor and heath, the weaver of words, the potter of pots, asked Mavis to join him in a trial marriage.

Mavis, whatever you may think, wasn't really a fuddy-duddy, despite her dithery ways. Our Miss Riley wasn't totally out of touch with the racy realities of 1980s living, wasn't a total prude - in fact, she was once accused of being a "Jezebel" (though only by Derek). But this sort of behaviour, living with a man outside of wedlock, was certainly not for her. She was particularly upset when she discovered that Victor intended to pass her off to his neighbours as "Mrs Pendlebury" and she would be expected to live a lie. Brave and unconventional Victor - not!

Then, in 1984, Mr Wilton and Mr Pendlebury suddenly made plain their desires to make Mavis their Mrs. And Mavis was left in a hopeless state of dither. Which should she choose?

Finally, she plumped for Derek. The wedding was arranged, the church and the reception were both booked...

But on the big day the indecisive couple suddenly chickened out. Neither turned up at the church. Their feelings for each other were simply not strong enough.

We, the folks sat at home in front of the "one-eyed monster" (as my granny called the telly), were absolutely agog.

The News Of The World had leaked the non-wedding story-line, and, in September 1984, contained an interview with Thelma Barlow.

She worked in an office for years, devoting her spare time to amateur theatre.

"Then I decided the time had come to make a break and really do something about acting," she says.

"So I went off to London, as green as a cabbage."

She got a job with Joan Littlewood's Theatre Workshop, and then appeared in plays all over the country.

Thema has been a Street regular for the last 11 years.

She confesses: "I'm not at all like Mavis in real life. Someone like that would drive me mad. I admire strong, positive people, and she's the essence of indecision.

"Unlike Mavis I've long since lost my shyness.

"When you're up there on the tele in front of millions of people, you're bound to meet some of them off screen.

"If you can't stand to be hailed by total strangers you shouldn't be in the Street.

"We're friends of a huge family of viewers and we've got to accept it."

The Street's scriptwriters originally did not plan Mavis as one of the series' main characters.

"I was only supposed to be in one episode, but the character clicked and I've been fluttering over medium sherries ever since," says Thelma.

"There are some good qualities in Mavis. She sticks to her principles at all times and is starting to develop a little bit of steel...

"I can imagine masses of spinsters all over Britain watching me in the midst of all this wedding drama.

"They all obviously picture themselves in Mavis's situation and identify with her like mad.

"That's what makes the whole character of Mavis so very interesting.

"I've got a special picture in my mind of who Mavis is, and I play to it."

And she adds: "I can see me playing Mavis for a long time to come."

This was very good news. And it wasn't the end of Derek and Victor as far as the story-lines went, either.

And when Derek proposed to Mavis again, in 1988, through the letterbox of the Kabin door, things turned out very differently...

And Mavis was a "Miss" no longer!

1983: The Old Order Changes...

We'd lost long-established regulars Jack Walker, Minnie Caldwell and Jerry Booth from the Coronation Street cast in the '70s. Elsie Tanner had left for around three years and then returned. The Street's production team were well aware that the old order was subject to change. 1980 saw the final appearance of Ena Sharples. Violet Carson had appeared less and less frequently during the ten years leading up to her farewell. When Ena left The Street, bound for Mr Foster's, nobody knew it was for the last time. Indeed, sometime afterwards, the Daily Mirror carried an article entitled "I'll Be Back" - which told of Miss Carson's plans to return to the role.

In 1983, The Street entered stormy waters indeed - the year saw the final appearances of Len Fairclough and the newly-wed Eddie and Marion Yeats, who had met so romantically over the CB airwaves in 1982, and short-stayer Chalkie Whiteley. Actually, it wasn't quite Eddie's final appearance as he popped back to see Mrs O in 1987.

Before the end of '83, we knew that 1984 would see us bidding farewell to Elsie Tanner again. And, as it turned out, '84 would see the deaths of Albert Tatlock, Bert Tilsley and Stan Ogden.

1983 did have its up-side: the Duckworths moved into No 9. Vera Duckworth had been a character in the show for years, although never a resident of The Street. In November 1979, we first met her husband Jack, who was developed into a fully fledged character during various short stints in the show in the early 1980s.

In 1977, Vera had entered a glamorous granny contest at the community centre. But in 1983, as she at last moved into The Street, the writers gave some attention to her family background, did away with the granny concept, and introduced a crafty, cynical son, Terry, born in the mid-1960s.

One of the people most horrified to see the Duck Eggs move into Coronation Street was Annie Walker, of The Rovers Return. But sadly she wouldn't have to put up with them for long. Doris Speed fell ill in late 1983 and was never well enough to appear in the show again.

From the Sun, 1/10/1983:

Crisis-torn Coronation Street has been rocked yet again - by the collapse of actress Doris Speed in the TV studios.

Last night, as she recovered at home after three days treatment, she said: "I was very brave. I battled right through to the end and managed to get all my lines out."
 
It was hoped that Doris would be well enough to return to the show, but by early 1984 it was evident she probably wouldn't. So, Annie's retirement was announced on-screen, and son Billy returned to run his mother's old empire. Billy's short tenure at the pub was stormy, and soon the Walker era at The Rovers was history.

But not quite. It was never part of an episode, but Doris/Annie did appear behind the bar at The Rovers again. In 1987/88, a large cheque was offered for charity if Doris would step back behind the bar as part of an ITV Telethon. She agreed.

This was a very different Rovers to her old domain - burnt down in 1986. But there was no doubt that the new bar suited her and there was also no doubt that Annie was in charge - I seem to remember Bet and Alec Gilroy standing respectfully behind her as she accepted the cheque for charity from the benefactor ("That should buy you a very large drink!") and operated the new beer pump, commenting with typical Doris Speed wit that the old pumps had required more effort and were better at developing the cleavage!

Does anybody have a copy of this Telethon footage? I would love to see it again!

The tabloids made much of the Street "Crisis"! Inside the Sun carrying the news of Doris Speed's sudden departure from the studios was the article pictured above:

Coronation Street, Britain's best-loved soap opera, has been rocked by crisis after crisis in the last few weeks.

The star cast has been drastically slashed as one after another of the big names have been axed or decided to move out of The Street.

In the next two months we will say goodbye to Elsie Tanner, Len Fairclough, Eddie Yeats and Marion Willis. Bert Tilsley has already been written out.

And the future for Stan Ogden, Annie Walker and Albert Tatlock must mean smaller and smaller parts as they battle ill health and old age.

For Coronation Street addicts, it will be almost like moving house, with a whole new set of neighbours to get used to.

Characters who have had little more to do than lean on the bar at The Rovers will find themselves on The Street to stardom as scriptwriters expand their stories to fill the gaps.

Who will be the second generation of Coronation Street stars?

The Sun has been looking at the young characters now in the series, and working out how their parts could be developed.Most of the characters listed are long forgotten! Do you remember Pamela Mitchell or Don Watkins? I do remember Roy Valentine, who seemed set to become The Street's first regular black character:

From the Sun:

Roy Valentine, Len Fairclough's odd-job boy, played by Tony Marshall.

DEBUT: March, 1983.

A cheeky charmer out to better himself. He isn't going to let his colour stop him getting on in life or getting off with the girls.

STAR POTENTIAL:

Six out of ten. He'll be teaching the regulars how to reggae down at the new disco. And he could set the lace curtains twitching when he walks down the street with his first girlfriend.Sadly, the departure of Len Fairclough meant the end of Roy Valentine.

Then there was:

Curly Watts, Eddie Yeats' new partner on the bins, played by Kevin Kennedy.

Debut: August, 1983.

He's single but goofy, yucky and downright plain. Still he's got the sort of cheeky Northern wit that goes down well with a pint.

STAR POTENTIAL:

Four out of ten. This spindly lad with the John Lennon specs certainly doesn't look like a heart-throb but neither did Eddie. Maybe he'll be able to laugh his way into the arms of some girl.
Of course, for the more discerning viewer, there was Victor Pendlebury:

Mavis' one and only love, played by Christopher Coll.

Debut: October, 1982.

He may have a boring job at the local council, but at heart he is a passionate poet.

He nurtured more than just Mavis' writing skills when they penned a racy short story together. Then Mavis refused to live in sin.

STAR POTENTIAL:

Six out of ten. The Street needs another married couple and Victor could be the man to save Mavis from becoming an old maid.
And what about Des Foster?

Councillor played by Neil Phillips.

Debut: July, 1983.

He's a married man with an eye for busty barmaids. Bet Lynch's earrings started quivering the moment he walked into the Rovers and fixed her with his big blue eyes. She pulled his pint and he pulled her.

But his wife in the wings made even Bet lose her bottle and she gave him the heave-ho.

STAR POTENTIAL:

Nine out of ten. He could be the cad every woman loves to hate, a natural rival for rogue romeo Mike Baldwin.

If he ditches his wife, his return to the Rovers would give Bet's big heart a flutter - and he would be fair game for any other footloose and fancy free regulars.
This young lady got ten out of ten from the Sun...

Sharon Gaskell, Len Fairclough's wayward foster daughter, played by Tracie Bennett.

Debut: March, 1982.

The best news to hit The Street for years, a real naughty girl.

Sexy Sharon had her own fan club within a month of moving into The Street.

STAR POTENTIAL:

Ten out of ten. She's only young but she's the only female around with enough sex appeal to step into Elsie Tanner's stilettos. She'll leave a lot of broken hearts - and even broken marriages - behind her before she settles down.
Of course, The Street weathered its losses. And things didn't turn out quite as the Sun envisaged!