The Arrival Of Audrey - Gail's Changing Family Background...

Their first scene together on-screen: a despondent Gail (Helen Worth) greets her newly invented mother, Audrey (Sue Nicholls).

In 1976, Gail Potter told randy Roy Thornley that her father always called her his "dizzy blonde". When Mrs Thornley decided to cite Gail as co-respondent in the divorce case she was bringing against her husband, Gail wept horrified tears. What would her Dad think? And, worst of all, what would her Mam think? We got the impression that Gail's Mam would be shocked. Very shocked indeed. In fact, we got the impression that Gail's Mam was an easily shocked homebody.

We were able to piece together Gail's family background from various things she said over the years: Mam. Dad. Not well off. But comfortable enough. A happy and secure family unit.

Of course, Gail was not cited as co-respondent in the Thornleys' divorce proceedings in the end, so an appearance by her distressed and outraged parents at Number 11, where Gail lodged with Suzie Birchall, under the watchful eyes of Elsie Tanner, was unnecessary.

Nothing more happened to upset Gail's idyllic family set-up until 1979, when the Coronation Street script writers suddenly ripped up the cosy scenario and invented Audrey Potter. She was squawky, flighty, and no better than she should be. And she was the unwed mother of Gail.

Suzie Birchall invited Audrey to Gail's 21st birthday party and Gail was very distressed.

She didn't want her (newly invented), tarty, flashy mother on the scene.

But the birthday party turned out well, and Audrey would return to the Street several times before becoming a permanent regular character in the show in 1985.

The character of Audrey developed - her desire to be upwardly mobile after her wedding to Alf Roberts in the 1980s aroused many smiles.

And she suddenly sprouted a never-before-mentioned grown-up son called Stephen.

Our Aud is always good for a laugh - and a story-line.

Right up to the current day.

It's now thirty years since Gail's re-invented mother first put in an appearance in the Street, and twenty-four years since she became a permanent regular cast member.

Good old Audrey - far more interesting than a Dad who called Gail his "dizzy blonde" and a Mam who would have been shocked by her daughter being cited as co-respondent in a divorce case.

1979: The ITV Strike - ARRGGGHHH!!!

The Daily Star, August 28, 1979 - "Shake Down To 1979" - yeah, right! The ultimate year of that grim decade brought us the murder of Earl Mountbatten of Burma and a host of other grisly events.

You couldn't even watch your favourite soap to escape the grim realities from August to October as ITV was knocked off the air by a technicians' strike.

And in those days we only had three TV channels and, as BBC2 was decidedly "minority interest", that left the vast majority of us with BBC1. Videos? Sadly not. Only 5% of UK households had a VCR in 1980, they were expensive beasts, so in 1979 we were really stuck. Should we read? Should we talk? How could we spend our time without ITV? I fidgeted. And moped.

How I missed The Street! I ached for it! Deirdre had just received a letter from husband Ray in Holland that had reduced her to tears. What was going on?

Well, it seems life in The Street was continuing in our enforced absence...

From the Daily Star:

Coronation Street's best kept secret is out... Brian and Gail have got married.

And the Daily Star has beaten the ITV blackout to bring millions of Street addicts exclusive pictures of the happy event.

They were snapped by housewife Mary Watson, of Rutbleglen, Glasgow, who spotted the "wedding" party while visiting her sister in Salford.

"I couldn't believe my luck," said Street fan Mary.

"I was wondering what had happened to Brian and Gail - then suddenly there they were in front of me."

The stars came out in force to watch Gail - actress Helen Worth - and Brian, played by Christopher Quinten, tie the knot.

Gail wore white, and Brian's mum and dad, Bert and Ivy (Peter Dudley and Lynne Perrie) looked suitably impressed.

Cheryl Murray, who plays Gail's sexy pal, Suzie Birchall, made a radiant bridesmaid.

Said Mary: "I couldn't resist taking the pictures. The blackout may go on for ever, and some people would never know what had happened to the couple."

A spokesman for Granada TV said last night that they had been "swamped" with inquiries about Brian and Gail since the technicians' strike forced the show off the air two weeks ago.

Now you can stop biting your nails, folks, thanks to Mary's candid camera.

Say "Cheese!"

The wedding pic! Left to right: Audrey Potter (Sue Nicholls), Suzie Birchall (Cheryl Murray) Gail (Helen Worth) and Brian Tilsley (Christopher Quinten), and Ivy (Lynne Perrie) and Bert Tilsley (Peter Dudley).

Here's Bet Lynch (Julie Goodyear) and Len Fairclough (Peter Adamson) welcoming us back to The Street after the Strike had ended in October 1979. This was a special "reminder" scene, screened just before the first post-Strike episode was shown.

Len was alone at first: "Welcome back! We've missed yer! Now, I suppose I'd better remind you what was going on in our little street when you were here last. Well, there's always a bit of excitement about a wedding - can't imagine why! Gail and Brian are about to get hitched..."

As Len ran through current events, Bet, apparently on her way into work at The Rovers, joined him and asked if he'd heard about the letter Deirdre had received "from that rat Langton in Holland".

"What letter?" asked Len.

"Mind yer own business, it's nowt to do wi' you!" Bet teased. "I suppose I'll be seeing your ugly mug in there later?" - indicating The Rovers, and after a quick farewell, she went inside.

"See what I mean? It never changes, does it? There's always something going on!" said Len to us, the telly audience. "See you later!"

And the Granada logo flashed up and the opening credits began, and we Corrie junkies settled back for our first fix in ages.

BLISS!!

Helen Worth Remembers Pat Phoenix

Helen Worth, whose character Gail Potter lodged with Elsie Tanner from 1976 to 1979, fondly recalled her time working with the Street legend in a 1990s interview:

"The enthusiasm was extraordinary. She never lost the love of acting, she was always excited about a new scene or a new story line. She really did love it!

"Pat, at the best of times, would wander off from the script - because she used to enjoy it so much that she decided if she thought of something better to say, she'd say it! And it was up to us to follow her. Her cue for 'drying' [forgetting her lines] was always: 'If I bang on the table, come in with something!' And so that was really the way we worked!"

Pat as Elsie in 1976, in conversation with Annie Walker: "I'll tell you something, if I had the chance of a fella who'd give me safety and security, another chance of a fella who'd give me sleepless nights because I never knew what he was up to... I'd take the sleepless nights!"

Annie, who knew Elsie of old, replied: "I have no doubt!"

1978: Gail Potter, Elsie Tanner, Suzie Birchall And The Nuclear War Threat...

The 1970s were in the thick of the Cold War years. As a kid back then, I was terrified that America and Russia would go to war and that would be the end for all of us. I had nightmares about it, sweated about it, cringed at the (I thought) scary-sounding theme tunes of World In Action and News At Ten. I closed my ears as narrators and newscasters on these two programmes began to speak, convinced that the end was nigh.

I wasn't alone. My mate Pete and I often discussed the prospect of nuclear war, and we knew many other kids who shared our worries. An adult neighbour of my mine had stocked up a load of pills, which she showed us. She said she would take them when nuclear war was imminent.

I used to feel sick with fear at times. Then, for me at least, Coronation Street stepped in!

It was August 1978 and Gail Potter (Helen Worth) and Suzie Birchall (Cheryl Murray) were making a salad in the kitchen at No. 11...

Gail: "Do you think there'll be another war?"

Suzie (flatly - in a what is the silly moo wittering about now? tone of voice) "Do I think there'll be another war?"

Gail: "Do yer?"

Suzie: "How should I know?"

Gail: "They're talkin' about it, aren't they?"

Suzie: "Are they? Who?!"

Gail: "The Americans and the Russians."

Suzie: "Is that right?"

Gail: "Don't you even listen when there's News At Ten on?"

Suzie: "Only the interestin' bits..."

Gail: "Sometimes I get quite worried about it, honest I do."

Suzie (continuing her own train of thought): "... a divorce or someone dyin' and leavin' a load of money."

Gail: "Don't you care if there's another war?"

Suzie: "I don't think about it much - it don't bother me."

Gail: "Yeah, but if they do."

Suzie: "Well, if they do they wouldn't ask me anyway, would they?"

Gail: "That's the whole point, innit, they wouldn't bother askin' you, they'd just blow us all up."

Suzie: "Well, if they do ask me, I'll tell them not to bother, all right? I'll say they need their heads bangin', they should kiss an' make up."

Gail: "I think it's quite scary if you think about it."

Suzie: "Then DON'T. Is there any salad cream?"

Gail's fears continued throughout the episode, but cynical Suzie and worldly Elsie Tanner, both more concerned with getting on with living than worrying themselves to a standstill over something that might not happen, and they couldn't stop if it did, had a great effect on me.

For the first time I began to realise that I shouldn't spend time paralysed with fear over the nuclear threat. I was too young to join protest marches, I wanted to do OK in my O' Levels and basically my screwing my life up was not going to help anything.

The other day, I saw the 1978 episode of Coronation Street again and gasped as my feelings from way back then came flooding back. I remembered how terrified I was back in the 1970s, and how this episode of a soap opera helped me to get on with living.

Nowadays, other things are there to worry us and the Cold War ice, which thawed rapidly in the mid-to-late 1980s with Perestroika and Glasnost, is just a memory. When Bush and Gorbachev declared the Cold War at an end at Malta in 1989, my mother, who remembered the Cuban Missile Crisis of 1962, wept with relief. And what a party we had. And what a hangover I had afterwards.

But I haven't forgotten the terrible fear I felt, and no matter how daft I find Corrie in the modern day, I still have feelings of gratitude for that one episode back in 1978...

Jilted John And Gail Potter - "Stood Up" At The Flicks...

Simply one of the best pop records. Not just of 1978. Not even just of the '70s. But EVER.

Jilted John hit the charts just as I was on the very brink of teenagehood in August 1978 and it fitted my mood exactly. My hormones hadn't waited for the magic "13", due in October, and my body and moods were already undergoing thoroughly grotty changes. And had been since I was eleven.

So John's rantings suited me perfectly. John was really one Graham Fellows, and this record was a spoof of the Punk/New Wave songs around at the time - a tremendously clever one which had enormous appeal to us comp school kids. John was a bit of a retard, and, it seemed, also a bit of a "girly" (fancy crying all the way to the chip shop!) but somehow he struck a chord with me and a lot of "der lads" I knew back then.

As was the fashion in the Punk era, the song had a great 1950s guitar riff, and the "in" way to dance to it was with a 1950s hand jive. But you had to wear a thoroughly bored, pissed off expression whilst you did it. "Postmodern irony" some call it. Back in 1978, I had no idea what "postmodern" meant (it was just something the likes of Melvin Bragg liked to waffle about) and, despite studying theories of post modernity in the '90s, I remain unconvinced that it's not just a load of written and verbal diarrhoea, fresh from the bowels of academia.

Whenever I hear Jilted John, I'm instantly reminded of the grotty, greasy, zit-ridden little geezer I was back in 1978. Miserable little sod I was. And I had a hair cut just like Terry Wogan's.

I'm also reminded of the mates I had, some of whom are still mates of mine today. And standing in the local shopping centre during the evenings with said mates, "gobbing off" at passers by. And picking my zits. And being bored a lot of the time. And hating everything.

They were good days.

And by the way: Gordon is a moron.

Coronation Street, New Year's Day 1979, and Gail Potter (Helen Worth) is waiting for Brian Tilsley at the pictures. But who is the dashing fellow beside her?

Yep, it's Graham Fellows, AKA Jilted John, making a cameo appearance in The Street as a young lad who, like Gail, has been "stood up". He offered to go into the flicks with her, but Gail was not impressed. She never did know what was good for her that girl - remember how her life turned out with Brian, and think just how different things could have been had she settled down with Jilted John...

Mind you, she was a funny lass even back then. I mean, just LOOK at the gloves she's wearing...