Showing posts with label 1976. Show all posts
Showing posts with label 1976. Show all posts

Thursday, 13 February 2020

What If Coronation Street Was Archie Street? Part Four

Well, luvs, we've covered a lot of ground, and now we find ourselves in the back ginnel running between Coronation Street and Mawdsley Street.

The back yards are tiny, poky affairs, with outside lavvies (once the only lavs in each household). Of course, they're not lavs anymore. But the Ogdens' at No 13 was operating as a second lav in 1980 (and probably well beyond). We're not sure about the rest.

The kitchens jut out into the yards and... well... back in the day they shared the Street magic of being much bigger on the inside than on the outside.

The kitchen windows were low-set (are they on the 21st century exterior set?), but indoors had kitchen sinks beneath them. From outside, they were pantry-sized cubby holes.

No 9, with its lean-to glass extension, was the only house to differ.

The Corrie back ginnel as it was on the 1982 to early 21st Century set.

Ken and Deirdre Barlow at Number 1 had a posh kitchen extension in the mid-1980s. This was downright peculiar at first.

The kitchen having expanded, exterior shots showed that the old back room window was now no longer. But it remained inside for ages - before the design team twigged and it was turned into an interior window, giving 'borrowed light' from the kitchen.

Deirdre, Ken and Tracy, embroiled in their late 1980s saga of brillo perms, shoulder pads, Wendy Crozier, and listening to Bros cassettes upstairs, noticed nothing odd of course.

Come on, Tracy luv, join in: 'You're a slave to fashion and your life is full of passion...'

The backyard dividing walls could be odd. Sometimes they moved. Elsie Tanner's yard might be quite large one week, with the yard wall by the Ogdens' back window, but another week the Ogdens' yard might be larger, with the wall by Elsie's back window. And so on down the terrace.

The real back ginnel between Archie Street and Clement Street was featured in the Coronation Street titles for a while back in the 1960s. The Corrie ginnel is cobbled. The Archie Street ginnel was flagged.

Coronation Street backs on to Mawdsley Street - once home to Len Fairclough and Martha Longhurst - and home to Len Fairclough's builder's yard for many years (although it wandered off briefly in a 1976 map of Weatherfield featured in the TV Times). It was in Mawdsley Street, at the congregational chapel, that Emily Nugent married Ernest Bishop in 1972.

Archie Street backed onto Clement Street, named after St Clement's Church, a longer street which ran across the junction from the side of the church.

Len's yard popped over to Balaclava Terrace in 1976 in an officially sanctioned map. And then popped back to Mawdsley Street. It made a nice break.

An old mystery from the back of the Street is the Rovers stairs, running up the back of the premises from 1960-1986. After the infamous fire of 1986, they changed direction during the rebuild. That's because the original route of the stairs was a bit impossible. They would have run straight past the back parlour window.

Also, the part of the Rovers building that juts out to join the strange viaduct... well, it's an amazingly narrow jut-out. In fact, to me, it looks like a wall with a door and an upper window in it. Bet Lynch would never have got down it, even if she'd pulled her chest right in. And as for Fred Gee and Betty Turpin! What possible use is it?

Even in the super-spacious Street of the 21st century, there's still no room at the inn in the Rovers extremity.

Now we've reached Rosamund Street, site of the modern (and frankly bizarre) viaduct arch. In the Archie Street universe, we've reached Cavendish Street. Across the road is St Clement's Church. Coronation Street once had a church opposite it - back in the days of the indoor exterior set. It was called St Mary's, but - from 1968 onwards - that was a thing of the past, replaced by an occasional glimpse of a wall with gates set in it, and, from 1982, by a building which quickly became the Graffiti Club, wine bar and disco.

Echoes of reality: The church opposite the corner of Coronation Street on the 1960s set. Martha, Albert and Ena queue up to get their hair done at Valerie's in the foreground.

Rosamund Street in those days, was, of course, a long, straight road - apparently one of Weatherfield's main arteries (though it never seemed very busy). From the show's earliest days we'd tended to hare off down Rosamund Street at times. A Rosamund Street shop was part of the Street's action for decades. From the days of Swindley's haberdashery and Gamma Garments to the days of Len Fairclough's shop, the Kabin, Rosamund Street was a must-see.

Rita Littlewood, of course, was at first employed as manageress at the Kabin, but later married Len thus becoming part owner, and, upon his death, owner. The Kabin gave us years of wonderful, cherished scenes of Rita and her assistant Mavis Riley.

'I'm telling you now, Rita, that pineapple thingie's giving me the creeps! I can feel its eyes on me!'
'Get a grip, Mavis! There's a lot stranger things round 'ere...'

Next door, of course, baker Joe Dawson opened up a genteel little tea shop in 1978, causing the Kabin's café to close, and, in 1980, this genteel little emporium was bought by one Jim Sedgewick, who turned it into a rough and ready transport café.

In 1990, Rita sold the old Kabin and moved to a brand new one in Coronation Street. But Jim's Café continued to be featured. And here comes another mystery...

After a while, the old Kabin simply disappeared.

The doors to the Kabin and Jim's faced each other across a small, covered lobby.

The Kabin door remained for a while after Rita had decamped, seen from the interior of Jim's whenever somebody opened the door to enter or exit. But then, suddenly, without explanation, the old Kabin door disappeared, and was replaced by an advertising or community notice board. Jim's Café was suddenly at the end of a terrace of shops - and there was no sign of a covered lobby - or a shop next door where the old Kabin should have been - and no sign that part of the terrace had been demolished either.

Never mind, cock.

What a difference a decade makes! In 1984, it was Mavis, Rita and the pineapple thingie. In 1994, the old Kabin had vanished.

Next time I'll be takin' a look at the other side of the streets - Coronation and Archie - to delve more into't past and some of its oddities.

Anyway, I'm off to bingo and that new Pizza Hut in Esmerelda Street with Ida Clough tonight - so I'd better be makin' tracks. Should be a great night. You know worra laugh she is.


Part 5 is HERE

Monday, 24 October 2016

1976: Stan Ogden And The Haggertys - When Coronation Street Went Bionic...


We can rebuild them... EEEKKK!!!

Back in 1976, England had bionic fever. We were all gripped by the American exploits of one Steve Austin, a man who had been rebuilt using all sorts of fake bits to give him super human strength. Steve could do all sorts - jump great heights, run in slow motion, all sorts.

And we were thrilled.

Of course, it was all fiction, we're talking about the TV series The Six Million Dollar Man, but never mind. 1976 was a bleak, blisteringly hot year, and we needed summat to take our minds off reality.

Coronation Street addressed our fascination with big strong Steve by having Bet Lynch claim she had bionic powers in a fun Rovers scene. And when one of the tearaway Haggerty kids claimed the same, this led to a nightmare for Stanley Ogden of Number 13. After some confusion over Hilda's washing, Stan had ended up taking  the Haggerty's raggedy garments from their line. Tit for tat, he (mistakenly) thought. But at the time, he believed the lads' dad, Big Jim Haggerty, was safely tucked away in the Nick. But he wasn't. Terrified Stan, not bionic himself, in fact possessed of rather a weak backbone, lapsed into a troubled doze in his armchair, dreaming of the Haggerty lads running in slow motion towards him, just like awesome Steve...

And this was used for the show's closing sequence.

Genius.

Coronation Street, with Bill Podmore newly installed as producer, was going great.

Tuesday, 22 February 2011

Name That Cliffhanger 2 - The Answer!

Mavis Riley (Thelma Barlow) thought that Fred Gee (Fred Feast) was a very nice man. Rita Littlewood (Barbara Knox) was quite unmoved.

Thanks so much to those participated in our latest Name That Cliffhanger challenge. Only one right answer this time - and congratulations to Coronation Street Corner , who wrote:

Am I right in saying that she pretended he was her boyfriend because Fred Gee was pestering her to go out with him - she kissed him when Fred came to the shop to check up on her. What would be interesting if you could evaluate the Fred/Rita relationship in a blog post. Fred was one of many that held a torch for our Rita!

Absolutely correct answer, and an interesting idea for a future blog post. Thank you!

Anonymous wrote:

Had Rita been drinking? Was she not responsible for her own actions?

Well, knowing how our Reet liked to nip in The Rovers at lunchtimes, she probably had BEEN drinking, but that didn't contribute to her actions in this case!

Greg wrote:

1976 - the year before Rita married Len - so I wonder if she was kissing Derek to make Len jealous? Mavis was probably in on it.

Interesting scenario, Greg, but not the right one!

Cerys wrote:

Mavis was sick of Derek and asked Rita to take him off her hands. However, Rita's overtures made Derek realise that he loved Mavis.

Another interesting scenario - have you ever thought about taking up soap scriptwriting?!

The full, unexpurgated truth, is below.

At that time in 1976, Fred Gee was new to the permanent cast, and the lazy, randy, ogling Fred of the late 1970s and early 1980s had yet to emerge.

This was Fred's first venture into the romantic arena since losing his wife, Edna, in the warehouse fire the previous year.

He was completely smitten by Rita, took her a pot plant ("Keep blooming," he told her), and invited her to a big band concert.

Rita was horrified and took the coward's way out - telling Fred she already had a boyfriend.

Fred, however, did not give up, and called at The Kabin just to make sure Rita's sweetheart turned up for their date, ready to whisk her off to the big band concert if not.

Derek's arrival at that point, with a message for Mavis, was a gift from the gods for Rita. Fred didn't know him, and she swooped on him, giving him a big kiss and greeting him as her boyfriend.

Fred was crestfallen, telling Derek he was a lucky man - and to look after Rita.

Rita couldn't resist teasing Derek after Fred had left the shop, with her "just ask and it shall be yours!" comment.

Of course, it all came out - and Mavis was furious, telling Rita she couldn't keep her hands off any thing in trousers. She also gave Derek his marching orders.

Rita managed to win Mavis round, and engineered a meeting between her and Derek in The Rovers. So, the relationship which would culminate in marriage in 1988 was back on track.

Meanwhile, Fred was hurt to discover the truth about Rita's fella, and told her there had been no need to make a fool of him.

And Rita was left feeling rather shabby.

Monday, 21 February 2011

Renee Bradshaw - Not What She Seemed...

Renee Bradshaw (Madge Hindle) breezed into Coronation Street in 1976.

Her arrival was foreshadowed by her brother Terry (Bob Mason), who warned Ray Langton (Neville Buswell) that Renee would eat him on a cream cracker!

Bit of a tyrant, our Reen. Terry was clearly in awe of her.

She was clearly an astute businesswoman, ousting tenants Gail Potter (Helen Worth) and Tricia Hopkins (Kathy Jones) when she took over the Corner Shop, and announcing plans for an off-licence - which brought her into conflict with Rovers landlady Annie Walker (Doris Speed).

Renee was successful in her application for an off-licence, and settled down to run the shop and look after Terry.

She wasn't as bad as she was painted. In fact, quite soon, viewers grew to like Renee, famous for standing behind the Corner Shop counter and saying: "Yer what?!!" on hearing the latest daft spoutings of Eddie Yeats (Geoffrey Hughes) or the latest piece of hot gossip.

Terry left at the end of 1976, rebuffed by Gail Potter, a girl he harboured romantic notions about, and unable to find work in the area having been laid off by Fairclough and Langton.

Renee retained her excellent business sense, refusing to let Bet Lynch (Julie Goodyear) move into the Corner Shop flat when she couldn't afford the rent Renee was asking, but changing her mind when Mike Baldwin (Johnny Briggs) secretly offered to subsidise Bet.

Having been dropped by her sailor boyfriend, Renee began seeing Alf Roberts (Bryan Mosley) and a romance developed which ended in marriage in 1978.

Coronation Street producer Bill Podmore later described the marriage as "rather humdrum" - which it undoubtedly was, and so, in the summer of 1980, Renee and Alf seemed set to go off and run a sub-post office at Grange-Over-Sands.

Unfortunately, Renee was killed by a lorry when she, by then a learner driver, took the wheel of the car whilst out with Alf and managed to stall it.

Alf inherited the Corner Shop, and decided to stay on.

Madge Hindle said of the production team's early vision of Renee:

"I think they wanted somebody to be strong and argumentative like Ena Sharples. But unfortunately you can't do that in a shop because people won't come in."

And so Renee lost her feisty side.

However, Madge Hindle, an accomplished actress, managed to invest the character with a likeable warmth and many viewers (including me) were sorry to see her go in 1980.

But not sorry to see the end of the Alf/Renee humdrum marriage.

Still, for me personally, the character of Renee, particularly in her Bradshaw days, remains a favourite Street memory.

Perhaps it might have been better if Renee and Alf had developed separate areas of interest and not been cooped up in the shop so much together, taking it in turns to mind the counter? Renee taking evening classes at the Community Centre with Mavis is one storyline I thought of which had great potential to be lots of fun. There were plenty more just waiting to be dreamt up.

Together, the Roberts weren't great, but apart they were. Alf was very important to the Street - an everyday man in a street full of absolute characters, and we cared about him. Renee wasn't an OTT character, but she had several facets, and Madge Hindle could do comedy with ease, without sacrificing the reality of the character.

I think dispatching Renee was a mistake, but there, chuck - we 'ave our memories and re-runs of the Renee years on the telly to enjoy, don't we?

Sunday, 20 February 2011

Name That Cliffhanger - 2

In our second Name That Cliffhanger session, we've headed back to 1976 and The Kabin (then based at 14 Rosamund Street). Rita Littlewood (Barbara Knox) and Mavis Riley (Thelma Barlow) may have got on each other's nerves at times, but they were the best of friends really - neither would ever do anything to hurt the other.

Or would they?

Witness the scene above - Rita greeting Mavis's boyfriend, Derek Wilton (Peter Baldwin) with a passionate kiss...

Worse still, Mavis was out - having a drink at The Rovers at the time!

At the double doors leading up to her flat, Rita said:

"Derek, just ask and it shall be yours!"

Derek replied nervously: "What?"

Rita smiled, saucily: "Anything!"

And the scene faded to the closing credits.

Was Rita really out to steal the boyfriend of her best pal Mavis?

Does anybody know the answer out there?

Wednesday, 19 May 2010

Kathy Jones - Coronation Street's Tricia Hopkins - New Website

Kathy Jones sings, 1976.

Via Flaming Nora at the very excellent Coronation Street Blog, comes news that Kathy Jones, the Street's Tricia Hopkins in the 1970s, has started her own website.

This is a welcome development. Tricia was a favourite character of mine when I was a kid "back in the day", and I was sorry to see her departure from the show in 1976.

As well as having a family that ran the Corner Shop for a time (remember her brilliantly monstrous granny?!), Tricia was a great pal to Gail Potter (Helen Worth).

When they weren't arguing, that is!

Picture it, Weatherfield, 1976:

Tricia Hopkins (Kathy Jones) and Gail Potter (Helen Worth) are working together in the Corner Shop. Ena Sharples (Violet Carson) has just come into the shop to make a purchase, and the recently-returned Elsie Howard (Pat Phoenix) is the subject of conversation.

Tricia thinks that Gail is jealous of Elsie's glamorous appearance. Gail is outraged.

Gail: "Jealous?! What, of somebody 'er age?!!"

Tricia: "I'd like to see you when you're 'er age. You're grotty enough now!"

Gail: "Have you seen yourself lately?!"

Ena (annoyed): "Look, I don't like to break up a first class row, but would somebody give me a packet of tea?"

Tricia: "I've 'ad a sickener round 'ere just lately - no money, no job..."

Tricia left the Street in 1976 - the character was a victim of the grim unemployment situation of the time. Although she only moved to the other side of Weatherfield, back home to her parents' house, she was never seen in The Rovers again - which was a shame - I thought she was a very natural character, and she balanced beautifully with Gail. Whilst Tricia was down-to-earth and enjoyed a good moan about life, Gail tended to be far more dreamy, her head a bit in the clouds.

I remember Tricia fondly, and I also remember Kathy in the children's show A Handful Of Songs, which my two little sisters always enjoyed.

Good luck to Kathy with her new website.

You can see it here.

Saturday, 2 January 2010

1976: The Naughty Night Out...

It began, as did so many things, with Mavis Riley (Thelma Barlow). Her Auntie Edie was away from home for a few nights and Mavis was nervous, being alone in the house. Good Samaritan Emily Bishop (Eileen Derbyshire) came to her rescue - Mavis must stay at No 3 with herself and Ernest (Stephen Hancock) until Auntie returned.

It was Emily and Ernie's wedding anniversary, but that didn't matter.

Mavis was more than welcome.

And Emily said so without consulting her nearest and dearest.

Ernest was horrified and sought refuge in The Rovers, where Alf Roberts (Bryan Mosely) and Ray Langton (Neville Buswell) came up with a tempting alternative: why not come to The Gatsby with them? There was a special Easter Monday stag night - "The Ties Only" Club - and strippers galore would be in attendance.

Back to No 3 went our intrepid hero, to tell Emily that he'd agreed to play the piano at the Easter Monday concert at The British Legion. They had an extension, so it was going on quite late.

When Mavis pointed out that it was a good job she was there, because Emily would have been alone otherwise, Emily, who knew Ernie was only making himself scarce because of Mavis's presence, could only agree with a grimace.

Still, the two women made the most of things, and settled down to an enjoyable session of tea and gossip.

"According to Mrs Waters, he's still living there..." said Mavis.

At The Gatsby there was naked female flesh in abundance. And Fatima, "Miss Rising Blood Pressure 1976", took quite a shine to Ernie - who was delighted and stunned.

It was a very excellent evening.

An evening of flesh and tassels.

And then, as the final act, "Madame Ultimate", was just about to make her entrance, the police swooped. The Gatsby, which had exceeded its extension of hours for its fleshy jollities that night, was raided by the police.

And, before you could blink, Bet Lynch (Julie Goodyear) was reading the tale of "The Ties Only Club" to the assembled regulars at The Rovers Return.

The Gazette
had done its job well - but not as far as Annie Walker (Doris Speed) was concerned. The "Ties Only" article featured a photograph of former mayor Alf Roberts, with Annie, his mayoress, taken during his reign.

Annie was terribly upset. Obviously, some of her lady victualler friends and regulars would think that the photograph had been taken the night before at The Gatsby - and that she had been there!

Alf Roberts, sorry, councillor Alf Roberts, was so embarrassed. Ray Langton thought it was funny - until Deirdre (Anne Kirkbride) resorted to domestic violence, slinging some wedding present crockery at him and cutting his face.

Meanwhile, Emily left Ernest in no doubt about her feelings regarding his slinking off to his "peculiar dives".

And him a lay preacher on the local Mission circuit!

When Ernest pointed out that he would have spent the evening with her if she had not invited Mavis to stay without consulting him, Emily told him he was being unreasonable.

Mavis had been dispatched back to Auntie Edie's by Ernest, leaving the couple free to wage war.

Emily told Ernest that his going to the stag night at The Gatsby had been the "grossest and vilest insult" to her. He'd gone to watch some "painted whore" when he could have been with her.

She frowned down on him furiously, her halo throbbing.

Ernest sought refuge at the pub. And when he returned...

... discovered that Emily had locked him out of the marital home.

Good neighbour Len Fairclough (Peter Adamson) took Ernest in. He didn't take the bust-up at No 3 seriously.

However the situation wasn't helped by Elsie Howard (Patricia Phoenix), who called round with a jumper she'd bought as a present for Len. Sadly, it didn't fit, so Elsie decided that Ernest could try it on. She assisted him. And that was the moment Emily walked in, to find the Street's scarlet woman giggling and grappling with her husband.

Frosty Emily rose high above them.

She told Ernest that she'd simply called to bring him some of his clothes - it would save him having to call at No 3 for them...

The frost seemed set, hard and permanent, but soon Emily relented enough for Ernest to return home.

However, she made it plain he had not been forgiven. Oh dear me, no!

The frost had thawed. But only slightly.

"Everything's spoilt, Ernest, don't you realise that? Nothing'll be quite the same again - never quite knowing if you're lying me!"

And then came the news that Mr Mortlake, the Mission superintendent, was going to be paying Ernest a little visit. Word about The Gatsby fiasco had swept the gossiping back streets of Weatherfield, and now Ernest's position as a lay preacher was in peril.

Help came from an unexpected source - Mrs Ena Sharples (Violet Carson).

The Ena Sharples of the 1960s would have probably descended on Ernest from a great height, heaping coals of fire on his poor defenceless head.

But the Ena Sharples of the 1970s was an altogether milder and wiser creature. She saw Ernest's brief departure from the Narrow Path for what it was - a daft one-off, and didn't see why a genuinely religious man, an excellent preacher, should be lost from the local Mission circuit.

She reminded Ernest of Lord Longford and his fight against "filth" - Ernest got her point - Lord Longford had openly sought out "filth" on occasion to see what he was fighting against!

If Fatima the Gatsby stripper, was Weatherfield's "Miss Rising Blood Pressure 1976", then Emily was definitely its "Miss Victoriana". She didn't want Ernest to lie to Mr Mortlake. Ernest said he wouldn't be lying - just bending the truth. He did a lot of good work for the mission and didn't see why he should be drummed out of service because of one silly incident.

Emily was most displeased.

When Mr Mortlake arrived, Emily stood by, looking like a cross between the author of the Country Diary Of An Edwardian Lady and The Hanging Judge.

Ivor Mortlake was played by Frank Mills, later Betty Turpin's husband, Billy Williams.

Mr Mortlake was grave. At first. One of their lay preachers... a well respected one at that... caught in what can only be described as extremely unfortunate circumstances...

Things looked grim for preacher Ernest.

Ernest asked Mr Mortlake if he knew of Lord Longford? Of course, Mr Mortlake did, and heartily endorsed his work.

And then Ernest fed Mr M. Ena's inspired tale that he, Ernest, had gone to The Gatsby for the same reasons - to seek out filth, to see what he and the Mission were up against with his own eyes. He hadn't wanted to go, he'd been practically dragged there, but gone he had, out of a sense of a duty.

And he was now all the better to fight the goodly, Godly battle.

"You can fight more effectively if you know a bit about your adversary. You can't just read the Sunday papers."

Mr Mortlake declared that Ernest's story had thrown a different light on things.

"And you're going to do a sermon on it, are you?" he asked.

"Yes, yes, I am," said Ernest.

"Only one, Ernest? Seems such a waste of material," sniped Emily.

"So you don't propose to pay another visit?" asked Mr Mortlake.

"Oh, no..."

"Well not to strip clubs," Emily's face was screwed up with sarcasm. "His next target's blue films, isn't it, Ernest?"

"Really?" said Mr Mortlake, very interested indeed.

After a cup of tea, he gave Ernest some final words of reassurance:

"Somebody has to do these tasks. And when there's a good explanation..."

And he assured Ernest that the Mission committee would feel the same as himself.

As he picked up his jacket to leave, Mr Mortlake asked: "By the way, are these places really as bad as people say?"

"Well..." said Ernest.

Mr Mortlake continued: "No, I mean, between you and me, like, what does happen on stag nights?"

Ernest took the moral high ground just vacated by Emily, who had left the room: "I'm surprised at you asking me a question like that, Ivor, I really am!"

"Now, don't get me wrong, Ernest, I'm only asking. I've never been inside one of these places, but from what you tell me I feel I've got a duty to... well, you see what I mean."

Ernest saw only too well. "Stag night at The Gatsby is Tuesday."

"Tuesday..." mused Mr Mortlake, mentally checking his availability that night...

Later, in The Rovers, Ena told Ernest that she wasn't proud of helping him in the way she had, and added: "But I just happen to think there's much worse than the likes of you in this world, Ernest Bishop."

As she spoke, as if to underline her point, Stanley Ogden (Bernard Youens) came staggering in, reeling drunk.

"Much worse!" said Ena, grimly.

Slowly, Emily's frostiness thawed at No 3.

Ernest told her that she was such a perfectionist, he was just a frail human being. He sometimes found her standards impossible to live up to.

Whether Mission superintendent Mr Mortlake attended The Gatsby stag night, all in the name of the Lord's work of course, is not known.

But "The Ties Only Club" definitely had to make do without Ernest from then on.

Wednesday, 23 September 2009

Coming Soon...

Eee, flamin' Nora... When you look back...

I were just thinkin' last night, whilst Jack were in't cludgie, about the time Ernie Bishop went to a stag night - complete with strippers... and one of 'em, "Miss Rising Blood Pressure 1976" seemed right taken with 'im...

Sadly, Ernie were married to "Miss Victoriana 1976" and she weren't best pleased to find out what he'd been up to...

Flippin' 'eck!

More soon...

Monday, 24 August 2009

Kathy Jones - Coronation Street's Tricia Hopkins - Sings "Down Our Street", 1976

I have just enjoyed a YouTube clip of Kathy Jones, Coronation Street's Tricia Hopkins, singing a song called Down Our Street in 1976.



Late '70s and early '80s little 'uns will probably remember another venture Kathy was involved with for a while - the Granada children's programme A Handful Of Songs. A girl, a guy and a guitar, pictures and requests sent in by youngsters, and there you had a successful formula which certainly kept my two little sisters and their friends glued to the screen for the ten minutes or so that each instalment was on.

Below is some YouTube music - Tommy Steele, singing A Handful Of Songs, when it was a chart hit back in 1957. Lots more Handful of Songs '70s/'80s TV series details can be found here.

Said In The '70s - Part 3

1976: Tricia Hopkins (Kathy Jones) and Gail Potter (Helen Worth) are working together in the Corner Shop. Ena Sharples (Violet Carson) has just come into the shop to make a purchase, and the recently-returned Elsie Howard (Pat Phoenix) is the subject of conversation.

Tricia thinks that Gail is jealous of Elsie's glamorous appearance. Gail is outraged.

Gail: "Jealous?! What, of somebody 'er age?!!"

Tricia: "I'd like to see you when you're 'er age. You're grotty enough now!"

Gail: "Have you seen yourself lately?!"

Ena (annoyed): "Look, I don't like to break up a first class row, but would somebody give me a packet of tea?"

Wednesday, 12 August 2009

Coming soon - 1976...

Coming soon - a few surprises in store when we revisit 1976 - the year that Gail Potter got up to naughties with a married man in the stockroom at Sylvia's Separates, jobless Tricia Hopkins said her farewells, Renee Bradshaw took over the Corner Shop, a certain brash London businessman breezed into the Street, and Stan Ogden left his dear wife, Hilda...

Sunday, 9 August 2009

The Rovers - 1976

Dave writes to ask if we have a pic of The Rovers Return, in the days before the wonderful 1982 passageway, when the pub loo doors opened directly into Albert Tatlock's house at No 1.

Certainly, Dave, here's our favourite boozer in 1976.

As some wag once said, no wonder Albert was always so grumpy...

Said In The '70s - 2: Telly Watching With Uncle Albert Tatlock...

Ken Barlow (William Roache) - a frustrated telly watcher in 1976.

Ken was pleased to note that a Shirley MacLaine film was being shown on the telly one night in 1976. As he told Bet Lynch, hopefully he'd get Albert Tatlock to go to bed before the film started at 9pm, and then he could enjoy it.

Just after 9pm, Ken walked into the Rovers Return. Bet was surprised:

"Ah! Don't tell me - Shirley MacLaine run off with another fella!"

Ken: "Yeah, Uncle Albert, actually!"

Bet: "Ah, that I can understand!"

Ken: "He decided that he wanted to watch the film too, and that I couldn't stand! He's got this unbreakable habit of talking through the plot - you know, not the dull bits, he'll keep quiet for those, but let anyone try to say anything vital, and he's off!"

My wife says I'm just the same.

Flamin' cheek!

Anyway, back to our Mr Tatlock - bless him! Although he didn't actually appear in this particular episode, he certainly made his presence felt!

Poor old Ken...

Domestic bliss with Ken and Albert (Jack Howarth) in the early 1980s.

Thursday, 26 February 2009

The Original Coronation Street Opening Titles Cat - The Mysterious Moggy...

What is the history behind the first cat seen in the Coronation Street opening titles? Well, a little detective work indicates that the cat was actually filmed around spring 1969. The moggy was caught on camera whilst a Granada film crew was out filming scenes of back streets and high rise blocks in colour - to be used for The Street's new opening titles when the show made the transition to colour later in 1969.

But the cat scene was not selected for the new title sequence - and did not make its screen debut until 1976!

Bill Podmore, who took over as the show's producer in 1976, wrote in his book Coronation Street - The Inside Story (1990):

When I took charge of the Street its opening sequence niggled me. The quick-changing views over the slated rooftops of Salford, where the imaginary Weatherfield is supposedly set, seemed to be out of time with the slow, haunting refrains of Eric Spear's signature tune.

I asked to see all the sequence film, shot years before in the backstreets of Old Trafford and Lower Broughton. Although much of it lay on the cutting room floor, it was reassembled into a continuous film. Suddenly, on walked that wonderful cat. When it curled up in the spring sunshine I knew I had found the perfect clip. It looked exactly as though it had contentedly sat down to watch the programme, and from that day the Coronation Street cat became almost as famous as any character on the show. It provided us with an enduring mystery, too. Any number of people, impostors all, insisted they were the owners, but its true identity was never discovered.

Minnie Caldwell (Margot Bryant), with her beloved cat, Bobby. Many viewers thought the cat in the opening titles was Bobby! This lovely snap is courtesy of Flaming Nora over at the Coronation Street Blog. Ta, chuck! Over here at Back On The Street, we have more Minnie, Margot and Bobby in the pipeline.

Thursday, 5 February 2009

1976: Aggro At The Gatsby

In answer to Flaming Nora's request for some screen caps of Miss Rita Littlewood in her nightclub singer heyday, here's the lady herself in full flow at Ralph Lancaster's Gatsby Club (with its retro Upstairs, Downstairs decor) in 1976. This was a little cracker of a story-line.

Elsie Howard (as was) and Len Fairclough were in the audience, as were Ray and Deirdre Langton. Elsie was not impressed with Rita's performance. Not usually the jealous type, Elsie would happily get the claws out for Rita. She hadn't wanted Len herself when marriage was offered back in the '60s. But she certainly didn't want Rita to have him.

Len thoroughly enjoyed having two women at odds over him, and told Elsie: "You know, if you'd worked your cards right, you could have married me!"

"Ooh, you don't begrudge me one little stroke of luck, do yer?!!" grinned Elsie.

Apparently Elsie didn't reckon much to Len's potential as a husband (and recalling his marriage to Nellie, perhaps it wasn't surprising), nor did she fancy working for him as Rita did.

Elsie tried some heavy sarcasm: "You know, there's nothing I'd like better than to work for you - for insults and peanuts. Mind you, she [indicating Miss Littlewood] deserves it!"

Rita was on great form that night and had some news for Len: she'd been offered a month's singing contract in Torquay; Len made it plain that if she took it, she'd lose her job and the flat over The Kabin. To put it simply, the green eyed monster had claimed Len that night, just as it had Elsie: he was worried that Rita might fall under the spell of her agent or some other handsome devil whilst away from his earthy aura.

Rita began to seethe as Len told her not to expect a job when she got back - "and you'd better take your bits and pieces with yer, 'cos they're gonna be on the street when you get back!"

"Go on, take a poke at me!" Len goaded.

So, she did, knocking him from his bar stool to the floor, where he lay unconscious.

"Will you get a doctor, somebody?!" cried Ray.

"Oh my god!" said Rita.

Nowadays, the whole incident would have been recorded on CCTV installed at the club, and Rita would have been hauled off down the police station, charged, and on the DNA Database before you could say "Ooh, 'eck! What's Mavis going to say?!"

But this was the 20th Century and the whole incident was simply put down to Rita having a "red headed" moment.

Which I think was rather a better way of going about things!