Suzie Birchall - Screen Capture Request

Mike has written to ask for a screen capture of the lovely Suzie Birchall (Cheryl Murray). Certainly, Mike - here she is in 1979. Suzie was a great favourite of mine - a cynical '70s teen, very much of the times, but not a bad lass underneath it all.

However, by Street teen standards, she was pretty naughty and was known in my neighbourhood as Suzie Bitch-all!

Her attempt to bed Gail's Brian on her return in the early 1980s confirmed the appropriateness of the nickname.

But what a great character!

We'll be featuring some material about Suzie and her final departure from the Street soon.

1980: Who Shot JR? In Dallas And An Outbreak Of Flu In Coronation Street...

Here's a certain Mr Ewing, alone in his office. But IS he alone?

Eee, 1980. Seems like yesterday! But a real dinosaur year this one - three TV channels, computers were a mystery to most people, Space Invaders were just cementing their hold on us, and Pac-Man (or Puckman as it was originally called) was wheeled out in Japan in May. But the world was a much bigger place without the World Wide Web (invented in 1989 and not up-and-running until the 1990s), and I don't recall hearing of the little muncher at all in 1980.

It's funny how the real past often differs from modern day telly programmes, web sites and books on the subject... you may have watched I Love The 1970s on the BBC, but face it, the series actually spanned the late 1960s to the early 1980s (by the time we reached I Love The 1980s, several '80s crazes had wrongly fallen into the '70s). You may have watched Margaret and Life On Mars, but even the snazzy red trimphones featured in those programmes were not actually available in reality until 1982.

In the pop world of the real 1980, we bopped to DISCO, sat down on the floor for Oops Upside Your Head, goggled at Buster Bloodvessel and his waggly tongue, loved Baggy Trousers, and saw Adam And The Ants flounce in. David Bowie's Ashes To Ashes video was groundbreaking.

The personal stereo, invented in Japan in 1979, reached the UK in 1980 as the "Sony Stowaway" - they cost a packet! In 1981, the Walkman name was patented here.

1980 was hugely important in shaping the decade. Ronald Reagan was elected President of the USA in November. The '80s would have turned out very differently had it not been for that event.

No yuppies in 1980 (the acronym was coined in the USA a little later in the decade). We were in a recession. Brighton gained England's (and I believe the UK's) first nudist beach, and a young woman called Lady Diana Spencer burst into the headlines.

The Rubik's Cube, a re-manufactured version of the obscure Hungarian Magic Cube, was released. America got it in May 1980. Although the trade name was also registered in the UK that May, we had to wait until just before Christmas for its arrival. And then it was in short supply.

Life was so different. 1980 was... well, prehistoric.

But 1980 did have something great - 1980 had "WHO SHOT JR?"

And we obsessed over it all that summer after the episode was shown in May. The scenario is now a TV legend, but only came about through a last minute decision of the show's producers to change that season's cliff hanger.

Daily Mirror, May 26, 1980: JR got shot, of course, but what was happening in Corrie? Well, Stan and Hilda Ogden both had flu, and Hilda was making a gallant effort to turn up for her cleaning job at the Rovers. Corrie was moved from its traditional 7.30pm slot and screened half-an-hour earlier so that a thrilling film about killer bees could be shown. ITV bosses hoped (in vain) that this might distract people from switching to the BBC at 8.10pm for the big moment in Dallas.

I don't actually have the Stan and Hilda flu episode, but here's a screen cap of our Hilda being poorly on another occasion.

Other Corrie events of 1980 included Eddie Yeats landing a job as a binman and moving in with the Ogdens, Renee Bradshaw meeting her untimely end in a road accident, Elsie Tanner accidentally setting her armchair on fire, Annie Walker arguing with the binmen, and Emily Bishop marrying bigamist Arnold Swain.

But nobody in Weatherfield got shot.

Thank goodness!

Uttered In The '80s - Part 3...

1988 - Derek Wilton to Mavis Riley: "Mavis... is Mr Sugden all there?"

Ena Sharples - 1960 To 1980, First To Last...

The first episode: "I'm Mrs Sharples..." Ena (Violet Carson) introduces herself to Florrie Lindley (Betty Alberge), the new owner of the Corner Shop. 1980 - Ena departs: "I never was one to stay anywhere where I wasn't wanted. I'm off first thing in't morning!"

I had a question in the blog comments today:

Has anyone seen Ena's final appearance on the street?

Yes, I have a copy of the episode. No great farewell for Ena, I'm afraid, as nobody suspected that Violet Carson was making her final appearance - not even Miss Carson.

Ena returned to the Street after a short spell away to find that the Council had not finished redecorating her flat at the Community Centre.

After a brief stay with Elsie Tanner (Pat Phoenix), and facing the prospect of a stay at No 1, much to the chagrin of Albert Tatlock (Jack Howarth), Ena announced to Albert and Ken Barlow (William Roache): "I've been on the phone to Mr Foster. He says he'd be very glad to see me."

"Oh, I see!" said Ken, "Yes, perhaps you would be better off in St Anne's and happier there, wouldn't you? I'll let you know the minute the decorators move out!"

"You've no need to bother," said Ena.

"Sorry, I don't follow you?" Ken was totally puzzled.

"I've been mucked up by you and your committee for long enough. I'll be the one to say when I come back, if I come back!"

"What do you mean - 'if' you come back?!" asked Albert.

"I'm fast coming to the conclusion, Albert Tatlock, that the air up there is much more to my liking than it is round 'ere these days. And you can take that any way you like! I don't suppose either of you thought of puttin' the kettle on, did yer?" and she disappeared into the kitchen. And into Street history.

Albert had seen her leave the Street in high dudgeon before and didn't take her seriously. He actually laughed in response! Ena had been absent from the Street for lengthy periods several times during the previous decade. But she had always returned.

And in fact Violet Carson would wear that famous hairnet one last time. She appeared on the cover and within the pages of a TV Times magazine - Coronation Street 2000 - which celebrated the screening of the show's 2000th episode in June 1980.

1960s glory days: Ena, a poor, vulnerable old woman (!) in hospital, suspects that her friend Martha Longhurst (Lynne Carol) is a snake in the grass: "You, you, you, Martha Longhurst, you snake - I know what you're after, you're after me vestry!"

Ena was a howling harridan in the early episodes!

When Ena announced that she may not be coming back in 1980, Albert Tatlock (Jack Howarth) actually laughed! He'd heard it all before.

Ena's glower was a trademark of the character in the 1960s, but rarely glimpsed after that. During her final episode in 1980, she bestowed the famous look on Fred Gee (Fred Feast).

Speak Easy - 2 - When Was The Golden Age Of Coronation Street? Reality Bites - It WASN'T The 1970s!

Back to The Speak Easy, where your views can be heard... Free and easy, bright and breezy, that's Speak Easy.

Christine has been reading up on Corrie history on-line and writes:

I keep reading that the Street's "Golden Age" was the 1970s, I even read it on some DVD blurb, but I disagree. Does nobody remember how bad the first half of that decade was for Coronation Street, and how the show tumbled in the ratings?

Well yes, Christine, I do. Some people seem to feel the need to make out that the 1970s are the be-all-and-end-all in a variety of ways, and I don't quite understand why.

Street historians also need to back up their assertions with more than "a lot of people think the 1970s were Corrie's Golden Age," which is something I've recently read on-line. Why do they? Is it really that many people? Is the belief based on reality? Was it? What do the ratings and media of the time tell you?

Personally, I find the majority of episodes from around 1970-1974 very painful to watch! It was the low point of the Street's career in my humble opinion. And the ratings dropped disastrously. The show's ratings were consistently higher in the 1980s than they were in the 1970s, too. Bill Podmore wrote of the problems the Street was experiencing before he became producer in his 1990 autobiography, Coronation Street - The Inside Story.

My own favourite era is the 1960s - I'm too young to remember, but I've thoroughly enjoyed all the episodes I've seen from that decade. My favourite era as a viewer was from 1976-1983. Things don't have to neatly fit into decades!

And the disappearance of the last of the original 1960s characters marked a new Corrie low point for me.

I run a few blogs - including some about recent decades, and the amount of nonsense I've come across whilst researching the 1970s you wouldn't believe!

It's as though the 1970s are also the 1960s and 1980s.

Strange how some people delude themselves. A lot of what we believe is based on hot air and hype.

And sadly the WWW. has not helped.

Mind you, lovey, here you get only the best information. I mean, would we seek to delude? By the way, the boiled ham's very nice today, and I think I've got some sweet piccalilli in't back...

What Happened To Renee?

James has written to comment on the disappearance of Renee from this blog's header:

I like the new header design here but I'm sorry Renee Bradshaw/Roberts doesn't feature as I remember her fondly from my childhood. I thought your original header picture really caught the character. Any chance of a copy?

Certainly, James. Madge Hindle is a great favourite of mine - in Nearest And Dearest, The Street, and in more recent times, Barbara.

The screen cap here shows Renee at Christmas 1978, "conversing" with Annie Walker!

1965: Violet Carson, OBE

Violet Carson and singer Frankie Vaughan with their OBEs at Buckingham Palace, 1965.

Ena Sharples was, and is, quite simply a Coronation Street legend.

Played by Violet Carson, Ena appeared in the very first episode of Coronation Street, lambasting new Corner Shop owner Florrie Lindley (Betty Alberge). In that first episode, she didn't wear a hairnet. But that quickly followed.

Early Ena was a fiery treat, a real harridan, with nowt good to say about her neighbours and, in particular, Mrs Elsie Tanner (Patricia Phoenix) of No 11. Clashes between Ena and Elsie in those early days still make breath taking viewing today.

Ena sat in the snug at the Rovers in the early years, with her two pals, Minnie Caldwell (Margot Bryant) and Martha Longhurst (Lynne Carol), providing the show with many a moment of high class comedy. What a trio they were! Ena headed the group, vinegary Martha often sought to usurp her, but never succeeded, and Minnie was largely away with the fairies.

Over the years, Ena mellowed more than somewhat. Never afraid to speak her mind, and a stern upholder of "good", old fashioned morals, Ena was also a friend and confidante to many. And her relationship with Elsie evolved - these two very strong, very different woman, developed a respect and fondness for each other, and when Ena found herself temporarily homeless in 1980, it was Elsie who came forward to offer her a roof over her head.

Ill health caused Violet Carson to take several lengthy breaks from the show in the 1970s, and when she made her final appearance in 1980, none of us were aware of the fact that we had seen the last of the glorious old battle-axe.

Ena was in her heyday in the 1960s, and in October 1965 that fact, and Violet Carson's long career in show business before The Street, were recognised when Miss Carson was awarded the OBE.

From The Real Coronation Street, by Ken Irwin, 1970:

When Violet Carson received an important-looking envelope bearing the Royal crest through the post at her home in Blackpool, one morning in the autumn of 1965, she had absolutely no idea what it might be.

She even hesitated before opening it. Then, with much surprise, her trembling fingers pulled out the official notification - she was to be awarded the OBE by the Queen.

She was stunned but immensely pleased. Yet a little puzzled. She could not explain the Royal award. "I do not know why I have been singled out," she said. "I would like to think that it was some sort of recognition for the whole of my career. People tell me I have managed to make a lot of folk happy. I hope I have."

The Real Coronation Street by Ken Irwin, the Daily Mirror TV critic who declared that Coronation Street had "little reality" and was "doomed from the outset" back in 1960! The book - "The fascinating, true story behind a TV serial and how it has affected the lives of the actors involved in it over a period of ten years" - sometimes pops up on eBay and is well worth a read.

1989: Rita Fairclough And The Huge Blue Shoulder Pads...

Watching past Corrie episodes is a delight, reflecting as they do many of the trends and fashions of the times in which they were recorded: Ken Barlow off on a Ban The Bomb March in the early 1960s, hippies at No 11 during the same decade, skateboards and rising youth crime in the 1970s, the CB radio craze and unemployment in the early 1980s. And HUGE shoulder pads as the '80s went on.

And I do mean HUGE.

I've just watched an episode from 1989, and the lovely Rita Fairclough (Barbara Knox) waltzed into the Rovers Return, wearing a bizarre bright blue jacket thing, with what looked like about a dozen tea towels stuffed into each shoulder.

Talk about Popeye!

I backtracked to a 1980 episode. The shoulders were quite ordinary. Miniscule in fact. Fast forward to '89 again and WOW!

I was used to shoulder pads at the time, even favoured them myself - in my Miami Vice-style linen jackets (big shoulders detract from big belly) - but seeing them now...

Good grief!

The mid-to-late '80s were a different planet!

Those fashions...

At the time I thought: "Brill!"

Now I think: "bleeurgh!"

Alec Gilroy (Roy Barraclough) is confronted by a huge blue shoulder pad in the Rovers Return. Will his nerve break?

Uttered In The '80s - Part 2

Eee, 1989 - what a year! The Berlin Wall came down, Tim Berners-Lee invented the World Wide Web, the Game Boy was released in America, and in Coronation Street Mrs Phyllis Pearce (Jill Summers) crept up on Mr Percy Sugden (Bill Waddington) in the Rovers Return:

Phyllis: "Boo!"

Percy (furious): "I wish you wouldn't do that! I'm a coiled spring, y'know! I act very quickly and very aggressively when startled!"

Phyllis: "Ooh, I wish you would!"

The Arrival Of Audrey - Gail's Changing Family Background...

Their first scene together on-screen: a despondent Gail (Helen Worth) greets her newly invented mother, Audrey (Sue Nicholls).

In 1976, Gail Potter told randy Roy Thornley that her father always called her his "dizzy blonde". When Mrs Thornley decided to cite Gail as co-respondent in the divorce case she was bringing against her husband, Gail wept horrified tears. What would her Dad think? And, worst of all, what would her Mam think? We got the impression that Gail's Mam would be shocked. Very shocked indeed. In fact, we got the impression that Gail's Mam was an easily shocked homebody.

We were able to piece together Gail's family background from various things she said over the years: Mam. Dad. Not well off. But comfortable enough. A happy and secure family unit.

Of course, Gail was not cited as co-respondent in the Thornleys' divorce proceedings in the end, so an appearance by her distressed and outraged parents at Number 11, where Gail lodged with Suzie Birchall, under the watchful eyes of Elsie Tanner, was unnecessary.

Nothing more happened to upset Gail's idyllic family set-up until 1979, when the Coronation Street script writers suddenly ripped up the cosy scenario and invented Audrey Potter. She was squawky, flighty, and no better than she should be. And she was the unwed mother of Gail.

Suzie Birchall invited Audrey to Gail's 21st birthday party and Gail was very distressed.

She didn't want her (newly invented), tarty, flashy mother on the scene.

But the birthday party turned out well, and Audrey would return to the Street several times before becoming a permanent regular character in the show in 1985.

The character of Audrey developed - her desire to be upwardly mobile after her wedding to Alf Roberts in the 1980s aroused many smiles.

And she suddenly sprouted a never-before-mentioned grown-up son called Stephen.

Our Aud is always good for a laugh - and a story-line.

Right up to the current day.

It's now thirty years since Gail's re-invented mother first put in an appearance in the Street, and twenty-four years since she became a permanent regular cast member.

Good old Audrey - far more interesting than a Dad who called Gail his "dizzy blonde" and a Mam who would have been shocked by her daughter being cited as co-respondent in a divorce case.

From Coronation Street To Beckindale...

Here's a few mid-1980s soap crossovers - from Corrie to Emmerdale Farm.

First, we see Sandra Gough, formerly Irma Ogden/Barlow of The Street, with Mr Wilks (Arthur Pentelow), Amos Brearly (Ronald Magill) and Malt Shovel landlord Ernie Shuttleworth (Peter Schofield). Sandra was playing Doreen, a saucy new barmaid at The Shovel, who soon had Mr Wilks drinking from her glass slipper. I kid you not. And who's that bloke on't far right of't picture? Surely, it's Joe Dawson, a brief-stint Corrie character of 1978, owner of Dawson's cafe in Rosamund Street? Peter Schofield stepped into the role of Beckindale's Ernie Shuttleworth in 1984.

Drinking from the barmaid's slipper... Amos was horrified!

Daily Mirror, January 14, 1984.

Joe Dawson, apparently about to get a biff on't beezer from that respected local businessman and councillor, Mr Leonard Frankland Fairclough.

Here's the very excellent Ruth Holden with the equally excellent Stan Richards. Ms Holden was once Vera Lomax, tragic daughter of Ena Sharples, who popped her clogs in the late 1960s. In Emmerdale Farm, Ruth took over the role of Meg Armstrong for a brief stint in 1986. The character was transformed from being Seth's downtrodden, long-faced Mrs, to a comic barmpot with a cleaning fixation who called Seth "poppet". Much to his dismay!

The Granada Studios Tour - Appearing In The Rovers!

Appearing in the Rovers by the miracle of chroma key. One has blanked out one's physog as one finds it displeasing.

This is isn't strictly about the '60s, '70s or '80s, but, did you know that, at the start of the 1990s, Granada Studios Tour in Manchester was offering, for a very small fee, a VHS cassette of your very good self, stood in the Rovers Return, nattering with Betty Turpin and that Mike Baldwin (you know 'im, little fella, thinks he's it!).

It was all achieved by something rather technical and rather wonderful called chroma key, and you never actually met Betty or Mike at all - you simply stood in a little cubby hole, waiting for your cues to speak. And at the end of it all, there you were, obviously superimposed, on video in a Rovers scene, yacking away about buying one of them posh new houses on't t'other side o't street.

It were lovely. And you could keep it and keep it again.

Simple pleasures? Have a heart: the World Wide Web, which opened computers up to the vast majority of us dimwits, wasn't even invented until 1989 and not up and running till the early '90s, so we had to do other, simpler, things to keep ourselves amused.

During my hotpot chroma key experience, I was so nervous I might miss a cue that I ending up sounding rather like Margaret Thatcher.

One of my lines was something like "I've been looking at the houses for sale," and it came across sounding flat, sombre and sinister, which was odd because in the recording booth I was sure I sounded like just the sort of neighbour anybody would love to have.

A former work colleague of mine visited the Granada Tours in 1989 and came back chanting: "Cue, Sally Webster, cue, Sally Webster, Sally Webster, cue..."

We've lost touch now and I never did get to the bottom of it.

1983: Jack Duckworth And Vince St Clair Get A Contract - And A Home In Coronation Street...

Here we are, in the summer of 1983, and William Tarmey (Jack Duckworth) is still not a permanent Street regular...

Daily Mirror, June 15, 1983:

As Bill Tarmey walks towards the TV studios, an army of autograph-hunters surround him.

Surprisingly, they're not middle-age women, but teenagers and schoolkids.

And it's not the name of Bill Tarmey they want in their books. Or even Jack Duckworth. "Sign it from Vince," they scream.

For the past couple of years, Bill has had to get used to being called Jack Duckworth - the Jack-the-lad character he plays in Coronation Street. But since he got into trouble with his wife Vera for signing on at an escort agency as Vince St. Clair, the new name has suddenly caught on.

Bill says: "Everywhere I go, people call me Vince. It was all meant as a bit of fun in the scripts. But I'm not going to be able to live down Vince St. Clair in a hurry."

Tarmey has no long-term contract. But he pops up for a spell every few months in The Street - usually for a slanging match with wife Vera, Elsie Tanner's factory-mate.

"It's amazing the way the characters of Jack and Vera Duckworth have caught the public imagination," Bill says.

"The trouble is, every one thinks I really am like Jack Duckworth, who spends his life ducking and diving. And I'm quite the opposite."

Bill says: "I love the character. He's a bit of a head banger is Jack. I suppose you'd call him a lovable rascal."

So, no long-term contract for William Tarmey at the time of the Daily Mirror report on June 15th, although the viewers' interest in Jack Duckworth - and Vince St Clair - appeared to be booming.

But, move on a few days...

The Duckworths are going to be moving into Coronation Street!

Sunday People, June 19, 1983:

The move will arouse even more resentment against "the family the rest love to hate".

But for night-club singer Bill Tarmey, who plays Jack, it means a long-term contract in Britain's top soap opera - the chance of a lifetime.

That lifetime was almost cut short seven years ago when Bill, then 35, had a massive heart attack on the stage of a Manchester club.

"I thought it was the end, and that I'd never work again." he told me.

But helped by his wife Alma and showbiz friends, he returned to the club scene, and did some small walk-on parts in Coronation Street.

Then he played a tough-guy in The Strangers - the ITV thriller series - and really caught the eye of producers.

He was offered the part of dizzy Vera's husband and made an impact in the Street recently, posing as Vince St Clair at a video dating agency.

"Life has turned full circle for me, but that's showbiz," said Bill, who lives with Alma and their two children in Gorton, Manchester.

Coronation Street - The Songs That Remind Me...

Jean Alexander as Hilda in '76. Altogether now: "If you leave me now..."

Way back in 1976, Stan left Hilda and I was deeply moved by the tragedy of it all.

A song constantly haunting our radios back then was If You Leave Me Now by Chicago, and, somehow, the words and the occasional squawkiness of the singer (rather Hilda-like, I always thought), seemed to fit the Ogdens' heart-rending estrangement scenario perfectly.

Of course, Stan returned after a brief sojourn at Hilda's brother's chip shop but, to this day, I only have to hear a couple of chords of If You Leave Me Now, and I'm right back there, gazing mournfully out at a star filled sky (OK, this is England, so it was probably a cloud-filled sky), willing Stan to return to No 13, and kiss the tears from Hilda's eyes.

Mavis (Thelma Barlow) enjoys a night out with Emily (Eileen Derbyshire) in 1987. Altogether now: "Absolute on power drive..."

My other (and rather odder) Corrie pop link concerns the mid-1980s Scritti Politti song Absolute - a banging piece of 1980s dance-pop, highly distinctive, very much of its era, but somehow the gloriously fey tones of singer Green Gartside instantly reminded me of Mavis Riley - who wasn't terribly much of her era at all. Ever.

There is one point in the middle of the song where Mr G apparently goes into a bit of a dither, and I thought "this is exactly what would happen if Mavis made a pop record" and, somehow, the track and Mavis have been synonymous in my mind ever since. Funnily enough, I've mentioned it to my wife (or "better half", as she likes to call herself) and, on reflection, she agrees with me.

No offence to to Scritti Politti - I sincerely love '80s dance-pop stuff (so there!), and I think both the group and Absolute were great - innovative to the max.

But still rather Mavis.

Things That Made Us Go "Hmmm..." Part 2: Coronation Street In The Late '60s To Early '80s - "Bloomin' Snobs!"

Coronation Street? Flippin' 'eck, not exactly swish was it? Ooh, they were a right rough lot round there. Apart from Annie Walker of course. And she was right stuck up...

When I was a kid/early teen, as Bill Podmore began his reign as producer of Coronation Street and got into his stride, I adored the show. But my mother and aunt often used to puzzle me. Watching the show through a haze of fag smoke, every so often they would cry "Bloomin' snobs!" Snobs? The Corrie crowd? Apart from Mrs W, of course! Surely they were dead common? Just like us?

But recently, viewing episodes from the late 1960s to the early 1980s, I have to say there were many times when the well-heeled scriptwriters' view of grotty back street life, in what was a very grim financial era, was rather inaccurate.

Take Maggie Clegg. A great favourite of mine, but would she really have been stocking fancy herbs at the Corner Shop in the late 1960s? I'm afraid, coming from a district not very far removed from Corrie myself, I'm not convinced.

Then, in 1976, Emily informed Renee Bradshaw that a shop in Rosamund Street was stocking peppercorns and was surprised that Renee wasn't. Well, none of the small shops in my area, nor even the local Co-op were doing so. We'd never even heard of them. Wasn't Weatherfield a little too upmarket?

Sometimes the Street was too upmarket, sometimes the other way. In 1978, Renee was selling Lobster Bisque soup (What?!) at the corner shop. Ridiculous! In the episode concerned, unemployed Suzie Birchall actually commented to unemployed Gail Potter that they were living in a depressed area. So, what the hell was Renee playing at?! Had she bought some cheap reject stock from Harrods? Later, in 1979 or 1980, Renee moaned at Alf for buying in a stock of frozen Chinese food that she was sure wouldn't sell. Sorry, Renee, luv, but I'm sure Chinese nosh would have had a much better chance of selling than Lobster Bisque soup!

Also in 1978, Ray and Len sailed close to bankruptcy. The Langtons were already struggling with their mortgage on No 5, and couldn't afford to run a car. But as soon as the financial crisis was averted, Deirdre asked Ray for a "cheap" microwave oven! Mad!! Microwave ovens had been available since the late 1960s, but they were very expensive - even the cheapest was not cheap in 1978. Anne Fourmile in George & Mildred was better off than Deirdre - but even she didn't have one!

Until the 1980s, microwave ovens were the playthings of those who had some dosh to splash around (more here).

As it happened, Deirdre didn't get her microwave oven, but even the request was, quite frankly, absolutely potty!

1978 seemed a bit of a prime year for the Street being rather too posh.

As a poor working class boy of the 1970s, spaghetti for me and everybody I knew, came in tins. It seems the same was true of Corrie - Hilda Ogden told Renee she didn't want to buy any because Stan got in such a mess with the stuff!

But then Mavis Riley decided to cook a meal for local OAPs at the Community Centre.

As we know, Mavis was into "fancy" cookery, and her decision to cook Coq au vin was perfectly in keeping with that. As was Ena's reaction to the news - she was not enthusiastic!

However, when Eddie Yeats burnt the original offering, Mavis decided to substitute spaghetti bolognese. Yes, for a party of OAPs. When I first ate spag. bol. (being a dog rough, real life Corrie-type person, it was years later) I found there was an art to eating "real" (untinned) spaghetti. You had to wind it round your fork with the aid of a spoon - or get in a right old mess.

But the OAPs of Weatherfield managed it without a hint of dribbled sauce or a spot of difficulty with the pasta strings, nor any advice - although they'd never eaten it before - and Mavis was seen sprinkling the loaded plates with Parmesan cheese. An acquired taste if ever there was one - especially to working class suet-and-spuds English taste buds way back then!

And then Ena declared it the best meal she'd ever eaten in the Community Centre!

I worked with the elderly in a residential home a few years later and they never requested - and we never dreamt of serving - such a meal! The idea of someone scalding themselves with hot spaghetti did not appeal.

Back in the day, I never really knew why Mum and Auntie cried "Bloomin' snobs!" I enjoyed the show, and didn't pay much attention to such details. And I didn't know a great deal about life.

But now I see exactly what they meant.

Coronation Street was fabulous back in those days, but I must say that viewing those episodes now, some of the trends and attitudes portrayed were most certainly not representative of life as it was lived in a real working class back street.

One can only surmise that it was Mrs Walker's influence? As she said: "One does one's best to raise standards."

In 1980, our Annie started serving soup at the Rovers, and as Bet saucily told Len Fairclough, who was amused at the concept:

"We're moving into the '80s - didn't you know? Soon, everything you need will be available under this one roof - and I do mean everything!"

Except Lobster Bisque soup, spaghetti bolognese and microwave meals.