Showing posts with label Rita Littlewood/Fairclough. Show all posts
Showing posts with label Rita Littlewood/Fairclough. Show all posts

Monday, 2 March 2020

Coronation Street: Feminism, The Gay Creator, Misandry And Rita Fairclough The Liar...

The scriptwriter of a Coronation Street episode in the early 1990s had no qualms in rewriting history to make our Street favourite Rita Fairclough out to be a victim of an insensitive husband, while actually making Rita seem like a downright liar, touting for sympathy, to those of us who knew the plot.

Back in 1981, Rita suddenly discovered a strong maternal instinct. True, she had looked after Harry Bates's kids some years before, but streetwise Rita had always seemed quite happy without kids of her own, telling Mavis there would be no patter of tiny feet at No 9 after she married Len.

In 1980, when Rita walked out on Len, her concerns were for a 'decent' house and a dishwasher - not kids.

But in 1981 Rita babysat Nicky Tilsley, and suddenly went all broody. She told Len she wanted to adopt, and Len, at first stunned and incredulous, very quickly agreed. Then the couple found out they were too old, and fostered instead.

But in the early 1990s, Rita told Sally Webster that by the time Len had agreed on adoption, they were too old.

A huge difference.

Also in the 1990s, Bet Gilroy and Rita had a huge barney in the Kabin. Bet pointed out that it was Len's money that got her started. Rita stated: 'Len left me a tatty little shop!'. Yes. And money in the bank, a brand new house at No 7 Coronation Street, the builder's yard in Mawdsley Street...

We adored Rita, but the Street's scriptwriters and producers sometimes did her no favours at all. The watering down of this fabulous, feisty character in the 1980s and her subsequent victimhood at the behest of Alan Bradley dd not convince us. Rita simply did not suit that storyline. She had far too much pride to fling herself at Alan in the way she did, her tears of horror ('Just like Len!') when Alan punched somebody in the Rovers (she hadn't been averse to walloping people herself, including Len, in the good old days) and so on, partially destroyed one of the show's best ever characters and seemed to be taking chunks out of the Feminist Guide To Misandry rather than presenting real life.

Corrie making victimised heroines out of its female characters is farcical. The women are at their best when being strong, human and frequently awful, seeing the faults of their spouses and partners, not their own. Audrey telling Alma she'd married a 'big baby' in the 1990s was a classic example of this. Our beautiful Aud had been selfish, childish (locking herself in the loo in a sulk after she and Alf had been forced to move into the Corner Shop flat when the chain on the house they were hoping to buy collapsed) and generally a lazy shopaholic for years. And we loved her for it. The fact she could see none of her own faults made us love her more.

I have to say that many of Coronation Street's women are at their best when following the template laid down by the show's creator, Tony Warren, himself a gay man and not averse to a bit of camp.

Let's hear Mr Warren on the subject: 'I'd known all these queens [gay men with a penchant for camp] in the village. Some of their dialogue was too good not to use. I remember giving Elsie lines that they would say. When you think of some of the things she came out with, how many straight women have you heard say that?'

The original template - women talking like camp men. The genius - the late Mr Tony Warren.

The original scripts, with their apparently ordinary but slightly tweaked dialogue (witness Ena in the Corner Shop in 1960!), were very much this man's tribute to northern English femininity. But far more evocative of a witty evening in a gay pub with a number of camp men present than ordinary female conversation. The world was really not ready for a soap about gay men!

Coronation Street has become self consciously feminist - and as that ideology is now being questioned far and wide (men oppressed women - oh, really?!) is straying far from its roots and has been growing progressively worse since the 1970s (the Susi Hush era). Ideologies are not facts.

The Street went from being a lovely matriarchy (as many such streets are) to being the misandry mile. A great difference, relying on warped Feminist dogma to score points and create female victimhood.

So, Rita, love, don't tell lies, eh, chuck? Don't forget your marriage was under the microscope on our TV screens - we were there too - so it really doesn't wash.

For years, Feminism was not questioned. But now it is. Chivalry should not allow riding rough shod over facts and demonising an entire gender, and the facts about the vote - suffragettes bombing and harming working class, vote-less men with acid, the SCUM Manifesto, the Duluth Model and the horrors experienced by Erin Pizzey in the 1970s are being examined at long last. As are the true facts about the gender pay gap and the workplace death gap.

About time too.

So, pack it in, eh, Corrie?

The misandrist nonsense (often created by 'white knight' chivalrous men) still goes on and was one of the things which drove me away from the show many years ago.

Remember your roots.

Questioning Feminism? Heresy, eh? Misogynistic or not? Not. Read what Karen Straughan has to say on the subject and just how this hate ideology has infested every nook and cranny of our lives: 
https://antifeministpraxis.com/2017/03/31/feminism-was-never-not-rotten/


Thursday, 6 February 2020

1984-1985: The Fruity Thingie At The Kabin...

September 1984, and Mavis Riley and Derek Wilton are planning their wedding (that wasn't), unaware they are being upstaged.

We'll have quite a lot to say about the old Kabin in Rosamund Street in the next instalment of our What If Coronation Street Was Archie Street? series, but, in the meantime, can anybody solve a little mid-1980s mystery?

Times change of course, and some of us who were kids back in the old days can recall having toys which, although deemed 'cute' at the time, were actually a bit on the ugly side by modern day standards.

The Kabin, of course, sold (and sells) a few toys, and in late 1984 a strange little fruity thing (Orange? Pineapple?) flitted around the shelves for a few months, into early 1985.

The thingie with Rita Fairclough.

What on earth was it? A child's cuddly? Some kind of activity toy (in certain lights it seemed to have a handle on the side). WHAT? It was certainly a character, arresting my attention in many scenes, and seemingly quite a performer in its own right.

As Mavis tells Reet where to get off, Ken Barlow is getting the eye from the fruity thingie.

Did any readers own a toy like this? Has anybody spotted one in an old mail order catalogue from those days? If so, can we have the details, please? We're dead curious!

November 1984, and the fruity thingie is still on the shelf - a different shelf this time, having scuttled up on to the top one. Tony Cunliffe is blissfully oblivious that the thingie is leering down at him.

Sunday, 19 October 2014

Mavis And Rita: Dealing With Birthdays...


Just got another flamin' birthday out of the way, and amongst a few very "witty" cards was the little belter above, featuring two of my all-time Coronation Street favourites, Mavis Riley and Rita Fairclough.

Brilliant! Brought a smile to the old gob and I love it.

And let's count our blessings - time flies, let's just be thankful cows don't, as me dear old grannie used to say.


Tuesday, 19 June 2012

The Mystery Of Sam Littlewood And Rita's Amnesia...

Rita: "I don't know why it says '1989' on this photo, 'cos it's 1983 really. Well, at least I think so..."

 Sue writes: 

Why didn't Rita Fairclough expect to see her Uncle Sam in Blackpool when she had amnesia in 1989? After all, he lived there years earlier!

Eee, chuck! As we know, Rita's mind had retreated back to her marriage to Len. Alec Gilroy stated that Rita had blotted everything out since before Len died. We also know that Sam Littlewood (Harry Littlewood) was living in Blackpool in 1980, and that he'd retired there shortly after Len and Rita married. According to one on-line source the character died in September 1982, so it seems Rita's delusional state had taken her back to a time slightly after that.

In fact, it now seems we can confidently declare that Rita's 1989 amnesia time warp had taken her back to late 1982 or 1983.

We know she continued her singing engagements on an occasional basis under her maiden and stage name, Rita Littlewood, after her wedding to Len, and she was listed as Rita Fairclough on the hotel register (this is clearly seen when Alan Bradley arrives at the hotel searching for her), so it all fits!

She was in Blackpool, Len was at home, and Uncle Sam had died shortly before.

By gum, that was a difficult question to answer!

UPDATED 19/6/12




Sunday, 24 July 2011

We've Got Rita's 1980 Dream Kitchen!

1980 - and Rita tells Len where to get off.

Judging by various publicity photographs I've seen, Coronation Street now has the worst interior decorating schemes it's ever had. Not sure why. A lot of them don't look like anything around my own rather common housing estate. "It's 1970s!" screech various nerdy types, almost peeing themselves with excitement. But, of course, that's not true. Look back at the Street in the 1970s and nowhere was as bad as today, and there are few similarities! And anyway, sorry '70s nerdy types, but "1970s" decor was usually 1960s, all those lovely gaudy wallpapers, etc, were actually a product of - or inspired by - the 1960s (probably designed by hippies on bad "trips" by the look of them) - and tarried on through the '70s and into the early 1980s.

In the photograph above, we see Rita Fairclough telling husband Len where to get off in 1980. No 9 was a shambles, apart from a spot of wallpapering in the back room, Len hadn't touched it since years before they were married, and Rita wanted different.

Well, lovey, there were 'ell to pay. Rita left home, Len clobbered her one, then she fled to Blackpool to work in a laundrette and live with her Uncle Harry. In the end, Harry told Len where she was, and Rita finally returned home.

To please Rita, Len made changes at No 9 - second hand central heating, new wallpaper (probably chosen by Rita and absolutely skank, even though this was 1980) and new kitchen units. Rita was thrilled by the kitchen units, and so were me and my Mrs when we re-watched the episode in which Len and Eddie Yeats fitted them recently. They're exactly the same as ours!

Rita's fake wood effect, self assembly units, with the lovely hard wearing work surface, are precisely the same design as the ones still doing service in our kitchen today! As for the rest of our house, our front room is trapped in the 1980s (lovely pastel blue walls, and lots of black furniture, including a glorious black up-lighter), our hall is trapped in the 1980s (a very pretty pink), our bedroom is a style we call "near derelict" (one day we'll decorate). It's not that we created a mostly 1980s style house on purpose. We just somehow got stuck taste-wise circa 1987 and we're comfortable with the look and feel of the place.

The kitchen has not been touched by us (apart from re-painting it a few times) since we moved in, it's not our choice. The kitchen units are flanked by glorious brown and cream flowery tiles, giving the room more of a late 1960s/1970s/early 1980s effect than the mainstream '80s feel elsewhere, and we didn't like it much. The house was built in 1980, so it's obviously all original.

But now we've witnessed Rita's delight, we're thrilled with it. She always did have style, our Reet.

Me and the Mrs went dancing round the kitchen in a frenzy of merriment as soon as we'd viewed the episode. Even better, we think Rita's units did long service with the Duckworths after they moved into No 9 in 1983.

We're chuffed to little mint balls!

Just imagine, us serving up our cheese and spud pie on our trendy Fairclough/Duckworth style work surface, in our trendy Fairclough/Duckworth style kitchen.

Viewing by appointment only.





Tuesday, 22 February 2011

Name That Cliffhanger 2 - The Answer!

Mavis Riley (Thelma Barlow) thought that Fred Gee (Fred Feast) was a very nice man. Rita Littlewood (Barbara Knox) was quite unmoved.

Thanks so much to those participated in our latest Name That Cliffhanger challenge. Only one right answer this time - and congratulations to Coronation Street Corner , who wrote:

Am I right in saying that she pretended he was her boyfriend because Fred Gee was pestering her to go out with him - she kissed him when Fred came to the shop to check up on her. What would be interesting if you could evaluate the Fred/Rita relationship in a blog post. Fred was one of many that held a torch for our Rita!

Absolutely correct answer, and an interesting idea for a future blog post. Thank you!

Anonymous wrote:

Had Rita been drinking? Was she not responsible for her own actions?

Well, knowing how our Reet liked to nip in The Rovers at lunchtimes, she probably had BEEN drinking, but that didn't contribute to her actions in this case!

Greg wrote:

1976 - the year before Rita married Len - so I wonder if she was kissing Derek to make Len jealous? Mavis was probably in on it.

Interesting scenario, Greg, but not the right one!

Cerys wrote:

Mavis was sick of Derek and asked Rita to take him off her hands. However, Rita's overtures made Derek realise that he loved Mavis.

Another interesting scenario - have you ever thought about taking up soap scriptwriting?!

The full, unexpurgated truth, is below.

At that time in 1976, Fred Gee was new to the permanent cast, and the lazy, randy, ogling Fred of the late 1970s and early 1980s had yet to emerge.

This was Fred's first venture into the romantic arena since losing his wife, Edna, in the warehouse fire the previous year.

He was completely smitten by Rita, took her a pot plant ("Keep blooming," he told her), and invited her to a big band concert.

Rita was horrified and took the coward's way out - telling Fred she already had a boyfriend.

Fred, however, did not give up, and called at The Kabin just to make sure Rita's sweetheart turned up for their date, ready to whisk her off to the big band concert if not.

Derek's arrival at that point, with a message for Mavis, was a gift from the gods for Rita. Fred didn't know him, and she swooped on him, giving him a big kiss and greeting him as her boyfriend.

Fred was crestfallen, telling Derek he was a lucky man - and to look after Rita.

Rita couldn't resist teasing Derek after Fred had left the shop, with her "just ask and it shall be yours!" comment.

Of course, it all came out - and Mavis was furious, telling Rita she couldn't keep her hands off any thing in trousers. She also gave Derek his marching orders.

Rita managed to win Mavis round, and engineered a meeting between her and Derek in The Rovers. So, the relationship which would culminate in marriage in 1988 was back on track.

Meanwhile, Fred was hurt to discover the truth about Rita's fella, and told her there had been no need to make a fool of him.

And Rita was left feeling rather shabby.

Sunday, 20 February 2011

Name That Cliffhanger - 2

In our second Name That Cliffhanger session, we've headed back to 1976 and The Kabin (then based at 14 Rosamund Street). Rita Littlewood (Barbara Knox) and Mavis Riley (Thelma Barlow) may have got on each other's nerves at times, but they were the best of friends really - neither would ever do anything to hurt the other.

Or would they?

Witness the scene above - Rita greeting Mavis's boyfriend, Derek Wilton (Peter Baldwin) with a passionate kiss...

Worse still, Mavis was out - having a drink at The Rovers at the time!

At the double doors leading up to her flat, Rita said:

"Derek, just ask and it shall be yours!"

Derek replied nervously: "What?"

Rita smiled, saucily: "Anything!"

And the scene faded to the closing credits.

Was Rita really out to steal the boyfriend of her best pal Mavis?

Does anybody know the answer out there?

Wednesday, 3 November 2010

1988 - Trouble All Round...

Eee, 1988 on't Street... Do you remember, chuck? Derek Wilton (Peter Baldwin) and Mavis Riley (Thelma Barlow) made it to the altar - oops, I mean registry office - second time lucky - though Mavis wasn't impressed by a couple of smutty comments from Sally Webster (Sally Dynevor) at the Corner Shop when she and Derek returned from honeymoon. Marriage was not just about that sort of thing, she lectured Sally.

Quite right too...

Meanwhile, Rovers barmaid Gloria Todd (Sue Jenkins) had been feeling her biological clock ticking for some time. So, when she fell for a fella, perhaps marriage - maybe even kids - lay around the corner? Trouble was, the fella belonged to Rovers cleaner Sandra Stubbs (Sally Watts). Gloria couldn't help herself, although she felt terrible. She began seeing Sandra's fella and they really seemed to "click". Gloria was horrified when Sandra turned up for a natter at her flat one evening when she was entertaining Mr Wonderful.

Finally, she confessed all to Sandra and got a pint of beer in her face for her trouble. Gloria left the Rovers after the incident.

Alan Bradley (Mark Eden) had left Rita Fairclough (Barbara Knox) and was living in a bedsit away from the Street. Rita was completely besotted with the man, and begged him to return to No 7. Alan refused, but changed his mind when the bank refused to finance his business's move to new premises. Alan returned to Rita and daughter Jenny (Sally Anne Matthews) for his own benefit - with a plan in mind. He also secretly continued to see Carole Burns (Irene Skillington).

Terry Duckworth (Nigel Pivaro) made Vera (Liz Dawn) so proud when he began work for Mike Baldwin (Johnny Briggs). His work was mainly chauffeuring (Mike had been banned from driving), but there were prospects. When Terry took a married girlfriend out in Mike's Jag and her husband sprayed "STAY AWAY FROM MY WIFE" down one side, the writing was on the wall as far as Terry's career at Baldwin's Casuals was concerned. Vera was distraught. Terry left the Street just before Christmas, feeling that he no longer had much in common with old pals like Kevin Webster (Michael Le Vell) and that it was time to move on again.

Sunday, 31 October 2010

Coronation Street 25th Anniversary Celebration...

Eee, with Corrie's 50th anniversary coming up, I've been thinking back. And it doesn't seem possible. Was the photograph shown above really taken twenty-five years ago?

1985... seems more like ten years ago to me!

In those days, the Street didn't celebrate major anniversaries with bloodbath tram crashes, we'd have thought it ghoulish and odd.

The 25th anniversary photograph above seems to have been specially posed rather earlier in the year than December - probably for Jack Tinker's Coronation Street book.

Note that the Claytons are present - and they left the Street in August!

I love the cutting and pasting of various people in the photo above - and in those days it was literally cut and paste, a cut-out from a photograph and a dab of Pritt Stick!

So, who were the Corrie movers and shakers of twenty-five years ago?

Back row - from left to right: Ida Clough (Helene Palmer) was a machinist at Baldwin's factory and a good pal of Vera and Ivy's. She appeared from 1978 to 1988, and later re-emerged for another spell working for Baldwin. A glutton for punishment.

Next to Ida is Shirley Armitage (Lisa Lewis), the Street's first regular black character. Shirley arrived in 1983, another worker at Baldwin's Casuals. She later lived with Curly Watts in the flat above the Corner Shop, and left the Street in 1989.

Up next is Phyllis Pearce (Jill Summers). Originally seen in 1982, visiting her grandson, Craig, and nagging Chalkie Whiteley, Phyllis developed into a rather more sympathetic character. She was, as she said, a "hot blooded woman", and desired nothing more than marriage to Percy Sugden. Phyllis was last seen in 1996.

Sue Clayton (Jane Hazlegrove) is next. One of the short-lived Clayton family, Sue arrived in 1985, left school, and started work in a bakery. The family then left the Street.

Sue's sister, Andrea (Caroline O'Neill), was studying for her A Levels and seeing naughty Terry Duckworth behind her parents' backs. Soon she was up the duff.

Connie Clayton (Susan Brown), mother of Andrea and Sue, was a dressmaker and the front room at No 11 was converted into a workroom for her. Connie never really liked No 11, and liked it even less when she fell out with her gobby neighbours, the Duckworths. Having discovered that Andrea was expecting a little Duckworth, Connie beat a hasty retreat from the district with the rest of her family.

Harry Clayton (Johnny Leeze), daddy of the Clayton brood, was a milkman and played trombone with a local band called Gregg Gordon And The Bluetones.

Middle row: Betty Turpin (Betty Driver) first worked at The Rovers Return in 1969. Widowed in the 1970s, Betty became the hotpot queen of The Rovers in the 1980s when her speciality dish became a regular on the menu as the pub grub on offer was expanded. Betty's still in the Street today.

Vera Duckworth (Liz Dawn) first appeared in the Street as a warehouse worker in 1974. She became a resident in 1983, and horrified the neighbours with her great big gob. But dead common Vera, who could be oh so crafty in her on-going war with husband Jack, had a heart of gold. She died in 2008.

Jack Duckworth (Bill Tarmey) first appeared very briefly in late November 1979, then disappeared until 1981, when he began popping into story-lines now and then. In 1983, Jack moved into No 9 with Vera and son Terry.

Terry Duckworth (Nigel Pivaro) arrived on the scene in 1983 and soon made his mark on the Street, running a business called Cheap & Cheerful with Curly Watts, running off with his best mate's wife, and romancing a married woman in Mike Baldwin's Jag. Bad lad Terry first left the Street in 1987, but he's turned up since, several times.

Kevin Webster (Michael Le Vell), the dependable young lad who worked as a garage mechanic for Brian Tilsley, first appeared in 1983. He married Sally Seddon in 1986. Poor Kev. He's still in the show today, having endured many traumas - some of the 1990s and 2000s stuff seeming so unlikely as to be completely daft. But then that's modern soap!

Norman "Curly" Watts (Kevin Kennedy) - a lovely, geeky, offbeat youth character, Curly first turned up in 1983 as a binman. He graduated to a position as assistant manager (trainee) at Bettabuys Supermarket in October 1989.

Mavis Riley (Thelma Barlow), first appeared in 1971. In 1973, she became assistant to Rita at The Kabin. Mavis initially lived with her Auntie Edie. Her cousin, Ethel, who popped in now and then, was a right cow. When Auntie died, adorably twittery Mavis moved into the Kabin flat. She met Derek Wilton in 1976, almost married him in 1984, and finally did so in 1988. She also dallied briefly with one Victor Pendlebury in 1982/83 - and he declared his desire to marry her just before her wedding-that-wasn't to Derek in 1984. Mavis left after the death of Derek in 1997.

Mike Baldwin (Johnny Briggs) was the crafty Londoner who livened up the Street no end from 1976 to 2006. Mike developed a long running feud with Ken Barlow in the 1980s.

Bet Lynch (Julie Goodyear) first appeared in the Street in 1966, a worker at Ellistons Raincoat Factory. She returned in 1970, and became a barmaid at The Rovers - although Annie Walker did think her rather common. In 1985, Bet took over The Rovers as manager. She married seedy Alec Gilroy in 1987, but that didn't last. Bet left the Street in 1994, but has since visited.

Hilda Ogden (Jean Alexander) arrived in 1964 with husband Stan and spent the next twenty-three years gossiping for England. She left in 1987.

Percy Sugden (Bill Waddington) was the bossy, interfering know-it-all who arrived in the Street as Community Centre caretaker in 1983. Fighting off the advances of Phyllis Pearce and sticking his nose in everywhere, Percy was a bit of a nightmare neighbour. But he meant well. He left the Street in 1997.

Emily Bishop (Eileen Derbyshire) first appeared in 1961. A genteel spinister, Emily finally found happiness and marriage to Ernest Bishop in 1972. But happiness was not to last. Ernest was shot dead in a wages snatch at Baldwin's Casuals in early 1978. Emily lived on at No 3, enduring a bigamous marriage to Armold Swain, and, from 1988 onwards, Percy Sugden as a lodger. Emily is still in the programme today.

Alf Roberts (Bryan Mosley) first appeared in Corrie in 1961, a pal of Frank Barlow's at the sorting office. Alf graduated to local councillor. His first wife died of cancer in the early 1970s, and he married Renee Bradshaw of the Street's Corner Shop in 1978. Alf inherited the shop in 1980, when Renee was killed in a road accident. He employed Deirdre Langton as his assistant and ran the shop happily until 1985, when he expanded it into a mini market and Audrey Potter became his lawful, awful wife. Alf died at the start of 1999.

Ken Barlow (William Roache) was there when Corrie first aired on 9 December 1960 - and he's still there today. His history is long and varied - including marriage to Valerie Tatlock and twins, marriage to Janet and her suicide, and marriage to Deirdre Langton. Ken was very close to his uncle-in-law, Albert Tatlock. Albert regarded Ken as true family, far more than his own daughter, Beattie Pearson, although he never said so!

Deirdre Barlow (Anne Kirkbride) first appeared in 1972. She married Ray Langton in 1975 and the marriage broke up in 1978. Deirdre lived with Emily Bishop from 1979 to 1980, before becoming Alf's assistant at the Corner Shop and moving into the shop flat. In 1981, she married Ken Barlow. Deirdre, older but not much wiser, still lives in the Street today.

Gail Tilsley (Helen Worth) first appeared in 1974 and still appears today. Young Gail Potter met Brian Tilsley in 1978, married him in 1979, was divorced by him in 1986, and re-married him in 1988. Their second union was ended by rumblings of discontent and then his murder in 1989.

Brian Tilsley (Christopher Quinten) was a bit of beefcake in the Street from 1978 to 1989. It seemed a little odd as he turned up before gym workouts were popular with working class men, and Brian certainly never mentioned going to a gym in his early years. So we were left wondering where Brian got his muscles from. His job as a garage mechanic? Actor Chris Quinten, of course, worked out all the time, so that was the reason behind Brian's bulging biceps.

Ivy Tilsley (Lynne Perrie) had it very rough. The character first appeared in 1971 and moved into The Street in 1979. From then on, it was misery on a buttie as the 1980s devastated her family - making Ivy's husband Bert unemployed and then killing him off, making Ivy's son Brian's marriage to Gail as rocky as could be, and finally killing Brian off in a stabbing incident outside a nightclub. The '80s did bring Ivy two grandchildren - Nicky and Sarah Louise - and a new husband, one Don Brennan. But as the early '90s proved, he was no blessing either. Ivy left the Street in 1994.

Rita Fairclough (Barbara Knox) was an exotic dancer who first popped into the Street in 1964. Back on the scene in 1972, Rita was memorably romanced and married by Len Fairclough. She continued her career as nightclub singer Rita Littlewood on an occasional basis. In the early 1980s, Rita and Len became foster parents. Rita was devastated when Len was killed in a road accident in December 1983, and distraught to discover he'd been in the midst of an affair at the time. Surely romance with Alan Bradley, blossoming in 1986, would bring her some happiness?

"Cheers!"

Thursday, 30 September 2010

1983: The "How Should Len Fairclough Die?" Competition...

By September 1983, the news that actor Peter Adamson had been sacked from his role as Len Fairclough in Coronation Street was public knowledge. And a sad Corrie time it was (see our post on Len here).

But with Len on his way out, and the character already absent from our screens for several months, conjecture started about how he was was to meet his end.

The Sunday Mirror, September 11, 1983, tapped into the issue and presented a competition:

It's the question millions of Coronation Street fans have been asking: "How will Len Fairclough be written out of the series?"

Peter Adamson, as Fairclough, is as much a part of The Street as the Rovers Return. He was one of the first characters to appear when the series began 23 years ago.

So how do the scriptwriters get rid of him?

Len has dropped a few bricks in his time. He has been in more than a few punch-ups, and has never been slow to voice his opinions.

He has a son from his previous marriage, so he could be involved in his father's permanent disappearance. There hasn't been a street "death" since Ernie Bishop was shot [oh yes there had - Renee Roberts in 1980 - Andy], so Len might easily be involved in something equally dramatic.

He was last seen in the series on May 1 [it was actually May 11 - Andy], when he was working on Mike Baldwin's new Graffiti Club.

If you were a Coronation Street scriptwriter, how would YOU end Len's days? Write to us, telling in no more than 150 words how YOU think Len should be written out.

The writer of the entry we think best will win a super Ferguson Video cassette player worth £560.

The winner will also receive a marvellous Granada video cassette called The Magic Of Coronation Street...

Weren't VCRs EXPENSIVE?!! No wonder only 5% of the UK population had them in 1980 and around 25% by the middle of the decade!

Brilliant prizes - The Magic Of Coronation Street was the show's first EVER home video release, from 1982.

So who won the competition? Let's press on a week...

LEN GOES - LEAVING A PINT BEHIND

Let Len go with dignity. That's the demand of thousands of Sunday Mirror readers over the fate of Coronation Steet's tough-guy star.

We asked YOU to write the script for the Finish Of Fairclough.

And there is only one word to decribe the response to our great competition. Staggering.

Your letters came by the sackful.

Nearly all of them were caring, most were dramatic, many were gory and some well... fiendish!

Lots of you "killed" Len off in a car crash, or a fall from the Graffiti Club roof, or from electrocution when he drilled through cables.

Others had him mugged, killed in an explosion, drowned - and even sucked down into sewers.

But some of the more bizarre endings had him choking on an oyster, drowning in a vat of Newton and Ridley's bitter, killed by space invaders, bitten by a rabid dog at Sharon's kennels or eating a poisoned pie given to him by Bet Lynch!

Len has to go because Peter Adamson, who plays the character, has been sacked.

He last appeared on May 1 [11th - Andy] at work on Mike Baldwin's new Graffiti Club. Granada have said that Len is not to be brought back to the studios to act out his final scene. They want him killed off.

The winning entry, described as "simple and dramatic", went like this:

It is lunch-time at the Rovers. In walks Rita Fairclough...

Rita: "A vodka and a pint for the old man. He'll be here in a bit - he's just finishing some soldering."

Fred pours the drinks. At that moment an explosion shakes the building. The talking stops. Dust flutters down.

Fred: "What the 'ell were that?"

The door bursts open, Eddie rushes in.

"It's the yard. Fairclough's yard, the whole lot's blown up."

Rita: "Oh my God. What about Len? Have you seen him?"

She rushes out.

Next scene: Fairclough's yard. Fire engines, lots of noise, shouting, hustle and bustle, flames and smoke.

Fireman emerging from smoke speaks to waiting ambulance man: "Only one body. Didn't stand a chance. Looks like a Propane bottle blew up."

Camera pans to a shocked Rita.

Flashback to the Rovers bar... Len's untouched pint. Fade-out.

One of the competition's runner-ups suggested that Rita should receive a letter from Len:

Dear Rita, I hope some day you can understand why I had to do this even though I still love you.

Eight months ago I met a woman who'd just been widowed. I felt sorry for her and somehow we started having an affair and now she's pregnant. She's not a young independent dolly bird, and she needs me to look after her. And it is my kid too. So Jean and I are moving down South to start a new life.

The yard is being put on the market and I've had the Kabin legally transferred to you. The solicitors will be in touch about the divorce. At least you've got the house and the Kabin, so I know you'll get by without me. Jean and the baby can't.

God only knows how sorry I am for doing this to you. - Love Len.

I like that ending.

A tongue-in-cheek clever runner-up suggested:

The regulars in the Street discover that Len had been snapped up by a commercial TV company to play a major role in a series about life as it really is in a typical street in the north west.

Everyone in the Street is very jealous because they also find out that the actors in the series, which has been running for some twenty years, earn incredibly vast amounts of money, as befits the stars of a programme which regularly finds itself in the top two positions in the TV ratings.

Len, as would most people finding themselves in his position, has forsaken the Street for the bright lights of showbiz. The Street will never be the same...

For all those concerned that Rita (Barbara Knox) could be on the way out too, the article contained words of great comfort:

Will Len's wife, Rita, become a merry widow once she has recovered from the shock of his dramatic death?

Granada TV chiefs aren't giving much away about her future, though Barbara Knox, who plays her, has been guaranteed a place in The Street's events.

But a Granada spokesman did drop this hint that there could be a new man in Rita's life:

"It's true that a lot of real-life widows find second partners, and Rita COULD find somebody else."

Tantalisingly, the spokesman added:

"Viewers will have to wait and see what happens to Rita, and how she copes after Len's death."

Len, of course, finally met his end in a road accident in December 1983. And Rita was further devastated by the discovery that he'd been having an affair.

Thursday, 24 September 2009

Worst Story-Lines... The 1980s... Rita's Amnesia, Alan Bradley And A Blackpool Tram...

The Rita Fairclough/Alan Bradley/tram story-line of 1989 prompted some folk to write in more recent years that Rita's amnesia had taken her back to the time before she married Len, because of her use of the name "Littlewood" on her singing engagement in Blackpool. Rubbish! Rita ALWAYS sang under her maiden name, which was also her stage name, even AFTER she married Len. During the 1989 story-line, her mind had actually retreated to an unstated time during her marriage to Len (1977-1983). She referred to Len being at home because of a heavy work load, asked Bet Gilroy how he was coping without her, said he was joining her at the weekend, and then stated, studying the hotel's breakfast menu: "I know what Len'd have: kippers. You know, he never can resist 'em and I never get them for him. Can't stand the smell of 'em." Before Rita married Len, she wasn't in the habit of planning or cooking his breakfasts! Another fact is that a close up view of the hotel register, shown as Alan Bradley searches for Rita, reveals that Rita had signed herself in as Rita Fairclough. She was in Room 14, by the way!

"Cecil" has written to ask me what are my worst story-lines of the 1960s, 1970s and 1980s...

Well...

I'm not a great fan of the early '70s Street at all and I don't know all the ins-and-outs of the 1960s. I'll have to think about that.

But as for the 1980s...

I think Rita's 1989 amnesia story-line stank to high heaven.

The OTT '80s played host to a variety of soaps: in one corner we had the "Thatcher's killing everything good" stance of some of our homegrown soaps, in the other, the preposterously rich fashions and ludicrous story-lines of the American soaps - remember when the 1986 season of Dallas turned out to be a dream? Remember when Fallon was taken away by a flying saucer in The Colbys in 1987?

And then, in 1989, a gritty story-line involving Rita Fairclough took a Dynasty-style turn to the bizarre, and I was worried for good old down-to-earth Corrie's future.

Rita and Len Fairclough had fought tooth and nail over her desire to continue her singing career as Rita Littlewood on an occasional basis. Rita won, of course. In 1980, Len and Rita almost split up - Len actually struck her - and Rita fled to Blackpool.

They were reconciled and enjoyed a few very happy years, until Len's death in late 1983.

In 1989, with a certain Alan Bradley exerting something of a reign of terror over her, Rita fled to Blackpool again.

Only this time she had amnesia.

Rita thought she'd left Len at home with a heavy workload whilst she was on a singing engagement in Blackpool.

When Bet and Alec Gilroy tracked her down, Rita had no idea that these two old acquaintances of hers were married, and was worried about how Len was coping at home without her. Still, she was going to make it up to him - he was coming to Blackpool at the weekend.

"She's shut everything out of her mind since before Len died," said Alec.

Rita couldn't stand the smell of kippers, but the whole story-line smelt distinctly fishy to me. Amnesia seemed so outlandish as part of a Corrie plot. And it was a trusted standby of the loopy American soaps.

And with Corrie having recently gone three days a week at the time, I thought the quality was starting to suffer.

Finally, Rita was shocked out of 1982 - or wherever she was living (no specific year was given) when she was confronted by Alan Bradley, who tried to drag her into his car to take her back to Weatherfield.

And then, of course, he was hit by a tram.

Some friends of mine tell me that this story-line was one of Corrie's best. But I'm not convinced.

There was something about it that brought to my mind Krystle Carrington of Dynasty.

And the harrowing time Fallon was believed dead in Dynasty and then turned up, minus her memory, calling herself "Randall Adams" in The Colbys.

Mind you, compared to some of the things that have happened in Corrie since, Rita's 1989 skirmish with amnesia seems as down-to-earth as an entire episode devoted to Hilda Ogden's washing day!

Friday, 7 August 2009

'77, '87...

I've just been watching some Corrie episodes from 1977 and 1987, and reflecting on all the water that flowed under the bridge between 1977 and 1987 in Weatherfield...

In our 1977 screen cap, Elsie Tanner (Pat Phoenix) and Rita Fairclough (Barbara Knox) had just seen Alf Roberts (Bryan Mosley) and Renee Bradshaw (Madge Hindle) driving off - they were going for a drink together.

In 1978, Renee and Alf married, but she was killed in a road accident in 1980, and by 1987 Alf had transformed the Corner Shop into a mini market and married the gorgeously squawky Audrey Potter (Sue Nicholls). They were living in Elsie's old home, No 11.

Elsie had finally left the Street with her old love, Bill Gregory (Jack Watson), in early 1984 to help run his bar (and enjoy the sunshine) in Portugal.

In 1977, Rita's husband, Len (Peter Adamson), was running the builder's yard in Mawdsley Street, as he had done for many years, in partnership with Ray Langton (Neville Buswell).

By 1987, Ray had gone to Holland, after an adulturous relationship with cafe waitress Janice Stubbs (Angela Bruce), Len had been killed in a car crash, returning from a visit to his secret lover as it turned out, and after a brief period in the hands of Bill Webster (Peter Armitage), the yard was being rented by Terry Duckworth (Nigel Pivaro) and his good friend Curly Watts (Kevin Kennedy). An odd pairing, trying to scratch a living. Both characters had made their Street debut in 1983 and were unheard of in 1977.

How times changed...

Wednesday, 5 August 2009

E-mails... '80s Shoulder Pads...

Sarah has e-mailed me all the way from Canada and asks:

I loved your post on Rita and the '80s shoulders. Are you planning further glimpses of '80s fashion?

Thanks for getting in touch, Sarah. I've been watching a glut of late '80s Corrie episodes and the fashions leave me staggered. '80s fashion is back in this country - I see blonde-streaked hair, off the shoulder tops, neon socks, leggings, ra ra skirts and other '80s glories every time I go out and about. Remember the trend for neon mesh in the mid-to-late '80s? Yesterday, I saw a young girl wearing neon pink mesh arm warmers!

The men in Corrie were conservative dressers, but the women...

Yes, it might be fun to look at the Corrie fashions more closely at some point. At the moment, I'm busy hiding away '80s photographs of myself - especially the ones featuring my neon blue linen jacket (with the rather large shoulder pads), cerise vest, and huge gelled/moussed hair - complete with blonde streaks.

But when I've got over the shock of the return of the fashions, I think I'd rather enjoy doing an '80s Corrie fashion parade post for the blog (I have another blog called "80s Actual" and find that decade fascinating) - and I'd like to write Corrie fashion features on the '60s and '70s too.

Thanks again for writing!

Sunday, 26 July 2009

1977: The Mystery Woman At Len And Rita's Wedding...

The wedding of Len Fairclough (Peter Adamson) and Rita Littlewood (Barbara Mullaney, now Knox) in April 1977 was occasion enough for a TV Times special souvenir magazine.

On-and-off like a flippin' light switch the relationship between them two... flamin' nora.

Then, in 1977, with the songbird from the Kabin about to fly off on a singing engagement abroad, wedding bells were suddenly in the offing.

And this time their relationship was definitely on.

What a grand wedding it was - complete with slap-up reception at the Greenvale Hotel.

Mrs Annie Walker commented: "What amused me was all that church business. Really! I mean, when all's said and done, he is rather uncouth. Still, I suppose they're well-suited."

But we, the viewers sat at home, liked it. Here's the happy couple at the altar... and there's the aforementioned Mrs Walker watching from her pew and... who's that curious blank-faced woman behind Albert Tatlock? She looks weird... no face... strangely outlined... like something out of this world...

Was Len and Rita's wedding being subjected to a Close Encounter?

Nay, lovey, rest assured.

The mystery woman was none other than Pat Phoenix as Elsie Tanner.

But Elsie did not attend Len and Rita's wedding, only the reception, I hear you say. Quite right. Pat Phoenix was ill and unable to attend the filming at the church. So Elsie had to miss the wedding. But the TV Times photographs of the event had been set up specially sometime before the actual filming of the wedding scenes, and as the original intention of the scriptwriters was that Elsie should attend the wedding, there she was, large as life, in the TV Times photographs.

So, when Pat Phoenix didn't make it to the church, and Elsie missed the wedding on-screen, some hasty editing of the TV Times photographs had to take place. As Elsie did not make it to the wedding ceremony on the telly, she certainly couldn't be seen to have made it to the wedding ceremony in the TV Times magazine.

Way back then, in those prehistoric, non-computerised days, correcting the situation was not easy. Pat's presence on a group photograph outside the church was eradicated with a simple snip and splice. But this was not possible with the church interior pics, so Pat, although still visible, was simply blanked out as best as possible.

Tuesday, 21 July 2009

1989: Rita Fairclough And The Huge Blue Shoulder Pads...

Watching past Corrie episodes is a delight, reflecting as they do many of the trends and fashions of the times in which they were recorded: Ken Barlow off on a Ban The Bomb March in the early 1960s, hippies at No 11 during the same decade, skateboards and rising youth crime in the 1970s, the CB radio craze and unemployment in the early 1980s. And HUGE shoulder pads as the '80s went on.

And I do mean HUGE.

I've just watched an episode from 1989, and the lovely Rita Fairclough (Barbara Knox) waltzed into the Rovers Return, wearing a bizarre bright blue jacket thing, with what looked like about a dozen tea towels stuffed into each shoulder.

Talk about Popeye!

I backtracked to a 1980 episode. The shoulders were quite ordinary. Miniscule in fact. Fast forward to '89 again and WOW!

I was used to shoulder pads at the time, even favoured them myself - in my Miami Vice-style linen jackets (big shoulders detract from big belly) - but seeing them now...

Good grief!

The mid-to-late '80s were a different planet!

Those fashions...

At the time I thought: "Brill!"

Now I think: "bleeurgh!"

Alec Gilroy (Roy Barraclough) is confronted by a huge blue shoulder pad in the Rovers Return. Will his nerve break?

Thursday, 5 February 2009

1976: Aggro At The Gatsby

In answer to Flaming Nora's request for some screen caps of Miss Rita Littlewood in her nightclub singer heyday, here's the lady herself in full flow at Ralph Lancaster's Gatsby Club (with its retro Upstairs, Downstairs decor) in 1976. This was a little cracker of a story-line.

Elsie Howard (as was) and Len Fairclough were in the audience, as were Ray and Deirdre Langton. Elsie was not impressed with Rita's performance. Not usually the jealous type, Elsie would happily get the claws out for Rita. She hadn't wanted Len herself when marriage was offered back in the '60s. But she certainly didn't want Rita to have him.

Len thoroughly enjoyed having two women at odds over him, and told Elsie: "You know, if you'd worked your cards right, you could have married me!"

"Ooh, you don't begrudge me one little stroke of luck, do yer?!!" grinned Elsie.

Apparently Elsie didn't reckon much to Len's potential as a husband (and recalling his marriage to Nellie, perhaps it wasn't surprising), nor did she fancy working for him as Rita did.

Elsie tried some heavy sarcasm: "You know, there's nothing I'd like better than to work for you - for insults and peanuts. Mind you, she [indicating Miss Littlewood] deserves it!"

Rita was on great form that night and had some news for Len: she'd been offered a month's singing contract in Torquay; Len made it plain that if she took it, she'd lose her job and the flat over The Kabin. To put it simply, the green eyed monster had claimed Len that night, just as it had Elsie: he was worried that Rita might fall under the spell of her agent or some other handsome devil whilst away from his earthy aura.

Rita began to seethe as Len told her not to expect a job when she got back - "and you'd better take your bits and pieces with yer, 'cos they're gonna be on the street when you get back!"

"Go on, take a poke at me!" Len goaded.

So, she did, knocking him from his bar stool to the floor, where he lay unconscious.

"Will you get a doctor, somebody?!" cried Ray.

"Oh my god!" said Rita.

Nowadays, the whole incident would have been recorded on CCTV installed at the club, and Rita would have been hauled off down the police station, charged, and on the DNA Database before you could say "Ooh, 'eck! What's Mavis going to say?!"

But this was the 20th Century and the whole incident was simply put down to Rita having a "red headed" moment.

Which I think was rather a better way of going about things!

Tuesday, 20 January 2009

A Screen Capture Request

Dorry has written to say she liked the recent screen cap of Len and Rita at the Kabin in 1976. How about another, she asks, this time showing Rita's face?

With pleasure, Dorry. Len had invited Rita to the Lake District with him. Rita turned him down, saying that whenever she went to the Lakes it always rained and it wasn't fair on the other folk who were there.

Mavis, who was tidying up the cafe at the back of the shop and overheard the entire chat-up and put-down, told Rita she was daft not to go. But independent Rita was convinced she would have been daft if she had agreed to go!

Friday, 9 January 2009

1976: Rita Finds Fame...

Len Fairclough chats up Rita Littlewood. Neither seem to have noticed the fact that Rita is appearing on the cover of the TV Times. Had her performances at the Gatsby led to an appearance on Sunday Night At The London Palladium?

Watching Coronation Street way back in 1976, I recall boggling at the sight of a copy of a TV Times magazine featuring Barbara Mullaney (now Knox) on the cover in the Kabin's magazine rack. It appeared there in several scenes, and kind of freaked me out!

Did the good people of Weatherfield watch Coronation Street on the telly like the rest of us, I wondered?

Tuesday, 23 December 2008

1982: Kabin Consternation

It wasn't unknown for people to read out of date magazines and newspapers in Coronation Street back in the '60s, '70s and '80s (it probably still happens nowadays). When you remember the time lapse between the recording and screening of each episode, it was inevitable that if you glimpsed the headline on a newspaper being read by a character, or a magazine cover, it was going to be a few week's old.

But in 1982 an eagle eyed viewer spotted dastardly doings at The Kabin:

From the Daily Star, letters page, Wednesday, July 28, 1982:

I wonder whether anybody else noticed how out-dated Rita Fairclough's magazines are in Coronation Street. Last Wednesday (July 21) Mavis held one dated February 27.

M.C. Daventry, Northants.

The Star got on to Granada who replied:

"Daily Star readers are certainly sharp-eyed to spot our mistake. With a million and one details to attend to in the programme, this one escaped our notice."

"Ooh, Rita, do you really think it's right selling out of date magazines?"

"Shurrup, Mavis, Len's got a deal wi't wholesalers, gets 'em for next to nowt and folk round 'ere are that puddled they'll never notice!"